I saw this movie in a packed cinema and the audience loved it to the extent that many applauded at the end. So I came home, looked it up in IMDb and read some of the review by professional film critics. What I found helps to explain why nobody reads papers anymore and why professional movie reviews are increasingly irrelevant. The critics drooled all over themselves for No Country for Old Man -- a ridiculous blood bath where the bad guy can see through walls, magically find people on the run, and kill repeatedly without raising much more that a mild interest from the local and state police. Yet many of these same critics think the characters in this new Woody Allen film aren't realistic. God save the film critics.
Back to the film. I can't remember the last time I laughed this hard at the movies, and I wasn't alone. It takes special talent to direct a movie that is so dependent on perfect comic timing to work, and the actors in this film hit their marks consistently. If there is character in this movie that shouldn't be the subject of study in an abnormal psychology class, I missed them.
If you care about intelligent movies for grown-ups, then you need to support movies like this one.
Attempting to impress his ideologies on religion, relationships, and the randomness (and worthlessness) of existence, lifelong New York resident Boris Yellnikoff rants to anyone who will listen, including the audience. But when he begrudgingly allows naive Mississippi runaway Melodie St. Ann Celestine to live in his apartment, his reclusive rages give way to an unlikely friendship and Boris begins to mold the impressionable young girl's worldly views to match his own. When it comes to love, "whatever works" is his motto, but his already perplexed life complicates itself further when Melodie's parents eventually track her down.
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