Drama / Romance

Serena (2014) download yts


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Jennifer Lawrence as Serena Pemberton
Bradley Cooper as George Pemberton
Rhys Ifans as Galloway
Toby Jones as Sheriff McDowell
720p 1080p
1.33 GB
23.976 fps
1hr 42 min
P/S Unknown
2.10 GB
23.976 fps
1hr 42 min
P/S Unknown

Movie Reviews

Reviewed by Pwincess-ChocOw-Viet 1 / 10

The Movie that sank a Film Studio

I watched this movie again for the second or third time since its release, desperately wanting to like it. I believe Susanne Bier is a genius (Den eneste ene, Freud flyttar hemifrån, and Sekten are among my favorites of all time) and I love Bradley Cooper and Jennifer Lawrence. Sadly, 2929 Productions is no long in business. What has always distinguished Serena from other novels of it's type is the thoughtful and nuanced way that philosophical and sociological commentary was woven into the story, but here, Rash's novel gets dumbed down badly! Serena is not just a lot of melodramatic nonsense or a chance to spotlight the latest Hollywood hotties. Rather, it is a meaningful exploration of what it means to be human. The book was intelligent and character driven. Now it is all about the loss of an infant (?) and sappy one-liners?

Bier's Serena is the same story boiled down into an unmemorable soap opera fluff cash-grab buddy flick oddly devoid of any chemistry. Not unlike the "expendables" franchise, one gets the impressions that the films main stars are never actually in the same room together. The "surprises" Bier plants aren't surprises if you're familiar with the novel. This film represents the dumbing down of cinema -the injection of supposed "human interest" into a what once was a great tale of almost supernatural compulsion. I totally understand why people give these diabolical films good marks - they watch them, don't really have any idea what is going on, kind of enjoy the stuff that happens while people do cool stuff and run around and then think that the plot was actually really subtle and sophisticated. Ergo it must have been good. NO. You want a subtle and sophisticated plot go read the Magus. Humanity is doomed. Bring on the rapture :) What's next some tween vampires, or at least some gossipy emo girl types, to be injected into writings of Charlemagne?

It is just a standard stupid chick flick with characters named Serena and George Pemberton. Nothing whatsoever of Rash's work is preserved, everything is just nonsense and stereotypes. It is a shame.

Reviewed by estebangonzalez10 3 / 10

You took 18 months to do about 2 months work producers!

"I've think you've taken nine months to do about six months work."

It's funny that Jennifer Lawrence was given this line in a film that took over 18 months to make during post-production because for what it is, this could have been edited much better in two or three months. The narrative feels choppy and instead of focusing on the characters in this period piece they move the narrative from one act to the next without ever giving the audience anything to chew on. This is simply a flat period romance with very little chemistry that misfires on all cylinders (editing, casting, and screenplay). You can't help but feel that there is another film in here somewhere that got lost in the editing room. Serena seemed to be a film aiming for Oscar gold because it had everything going for beginning from the romantic pairing of Jennifer Lawrence and Bradley Cooper after their incredible success in Silver Linings Playbook. Add the solid Danish director, Susanne Bier (In a Better World), and a script based on Ron Rash's 2008 novel to the mix and Serena seemed to be a sure bet. I had high expectations for it and many were already including it as a contender for next year's Academy Award even before it finished being produced. How could a film like this end up being so forgettable and predictable at the same time? I'd guess the blame relies on the producers who tried to cash in on Lawrence and Cooper's success by centering the film on the romance instead of focusing on the other interesting cast members. The romance never works here because the characters are never fully developed so there is no way we can invest in their relationship. The amazing chemistry these two actors had in their previous film is completely wasted here. Everything about this film seemed disconnected and I am sure it won't live up to the aspirations the producers and critics had for Serena.

I have genuinely enjoyed all of Jennifer Lawrence's performances up to this film. The setting in the woods reminded me of the first time I saw J-Law in Winter's Bone, a film so richly invested in character development that I was expecting her to deliver another outstanding performance. That comparison to Winter's Bone only ended up disappointing me. She is extremely over the top in this film and the emotional scenes she gets are never believable. The scenes where she breaks down and cries were painful to watch. Bradley Cooper loses his charm as well, but I guess the blame relies on the script. If you are trying to deliver a strong romantic period piece you have the right actors to do so, but the script doesn't help build the romance. Bradley Cooper's character catches up to J-Law on a horse and asks her to marry him and then they are married. The entire film felt sort of chopped up and fast forwarded to the key parts of the story without taking time to give the characters any depth. About 15 minutes into the movie I knew where everything was heading and it was a huge disappointment for me because I expected a lot more from this film. The secondary cast is interesting, but unfortunately very little time is given to these characters. Rhys Ifans, Toby Jones, and David Dencik are extremely talented actors and I wish the script would've given them more time. Unfortunately Christopher Kyle's script misses the mark at every turn. The only positive thing about Serena was Morten Søborg's beautiful cinematography.

Reviewed by CharlieGreenCG 4 / 10

Disappointing adaptation:

Serena has had quite a hard time so far. Filmed in 2012, it has been shelved for over a year and half due to apparent scheduling. But finally, after all that time it has come to light at this year's BFI London Film Festival for a world-premiere! But it does raise the question, is it a hidden gem that we have been long-desiring? Or is it so bad that it has was hidden on purpose? Unfortunately it appears to be the later.

Considering that is has two A-list on screen regulars; Jennifer Lawrence and Bradley Cooper, the film is surprisingly dissatisfying. Set in North Carolina in the Depression era, the film accounts the perspective of George Pemberton (Cooper) and his wood-plantation empire. That is until he meets Serena (Lawrence), when he suddenly suggests 'we should be married' - and they immediately do. In fairy- tales this is expected, but in a reality period drama it is loose and leaves no belief in their relationship. As a result, throughout the events of the film we have no attachment to them at all.

Once on board with Pemberton's wood-empire, Serena does not want to just be a trophy-wife, but instead gets hands-on involved in the dirty business end and is not afraid to throw some axes.

Form there onwards the film repeats the same formula over again: Romance, wood-chopping, politics - repeat. It is a tedious cycle with the all-so often subplots appearing that have no registration to the already flimsy story.

Also featuring; Rhys Ifans (as the bearded hit-man), Toby Jones (as Sheriff McDowell) and Sean Harris (as a wood-chopper), the film shockingly concludes with a melodrama on misplacement and seems unsure of where it is going, or what genre it even is.

If there was one positive thing to be said about Serena, it would be the six sex scenes between Cooper and Lawrence. But even then, the chemistry between them is tightly bound compared to their previous on-screen duos (Silver Linings Playbook, American Hustle). Directed by Academy-Award winning Susanne Bier and penned by Christopher Kyle, it is hard to find who is exactly to blame. Is it the direction of the story? Either way it is a disappointing adaptation.

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