Open Water (2003) download yts

Rotten Tomatoes Critics - Certified Fresh 72%
Rotten Tomatoes Audience - Spilled 32%
IMDb Rating 5.7 10 41960  


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Steve Lemme as Scuba Diver
Blanchard Ryan as Susan
720p 1080p
588.08 MB
23.976 fps
1hr 19 min
P/S Unknown
1.21 GB
23.976 fps
1hr 19 min
P/S Unknown

Movie Reviews

Reviewed by nycritic 10 / 10

"We Paid to do This."

This has to be the angriest line in the entire movie ("We paid to do this!"), uttered in a furious, hopeless growl by Daniel (Daniel Travis) as he and Susan (Blanchard Davis) float and drift aimlessly in the calm waters of the Atlantic after being left behind by their cruise and slowly yet inexorably lose any hope of being rescued by anyone. Because it sums up the way reality becomes a surreal nightmare -- young yuppie couple pay for a vacation getaway in the Caribbean and find themselves being shark bait, and who really is to blame? Them? The crew's carelessness for not doing a name count? They could have gone skiing (no sharks there) and not been stuck in this quandary. What have they done to deserve this?

There are no answers to these questions, only open sea and the mounting dangers just below the surface. To know that these dangers are there, but not to see them, is just as bad -- even worse -- than to actually see them. Chris Kentis, thankfully using the less is more approach and shooting the film in an anti-conventional form (no artificial lighting, no backdrops, no CGI sharks, no large water tanks substituting for open sea for close-ups, digital video), creates a visceral experience with this short movie that relies on so much since almost an hour is spent in the water. Never does a moment go by feels like filler: the events feel real, the mounting desperation as Susan and Daniel slowly realize just how dire their situation is feels right (even though sometimes the delivery feels too flat -- but this is perfectly fine, since this is how people actually talk instead of talking in speech), and the timing from when the fake shark head which Daniel ironically sticks his head into in the marketplace, from the mention of sharks about 20 minutes in, to the actual, split-second appearance of a shark's fin and tail 30 minutes in is great and its quiet yet horrifying conclusion in many ways, outdoes JAWS. No swelling music, just the vague, grey outline of the animal beneath the surface, and that alone is enough to create moments of incredible dread, especially in the best sequence in the film: its night sequence, where all we see is what they see, darkness and each other once lightning flashes, drowning their screams and implying another shark attack.

However, OPEN WATER is not a movie about fear in itself. It's more about this vast, stomach-turning emptiness of how suddenly meaningless our lives become when put into a (pun intended) fish-out-of-water situation. It's not only knowing that the waters are infested with sharks, but knowing that the end will come.

Reviewed by Brandt Sponseller 10 / 10

Completely unique and amazing film

Susan (Blanchard Ryan) and Daniel (Daniel Travis) have hectic lives. Even as they're headed out on a much-needed vacation, they're making last minute business phone calls. They head to a Caribbean island for sun, fun and their real passion, scuba diving. On their second day they schedule a spot on a commercial diving trip to a reef, where due to a head miscount by the tour guide, they end up left behind. How will they survive in open water?

This is a remarkable film for a number of reasons. It's basically a "super low budget" independent film, made on free weekends by a husband and wife writer/director/producer team with little-known actors and a skeleton crew. It was later picked up by Lion's Gate after a showing at Sundance in 2004, and went on to earn over $30 million on its US theatrical release alone. Of course, it doesn't deserve a high rating for those reasons. There are plenty of super low budget films made with passion that ended up being terrible, and others, such as The Blair Witch Project (1999), which made an exorbitant return, but which, for me at least, didn't work very well.

The triumph of Open Water is that writer/director Chris Kentis constructed a disarmingly simple film that ends up being incredibly effective in its goals--to present an intense, thrilling, suspenseful life or death scenario with horrific implications and subtextual commentary on appreciating and living life to its fullest, even when faced with the power and non-judgmental potential brutality of nature.

You can tell that Open Water is unusual from the first frames. Shot entirely on digital video, Kentis achieves a look that is crisply, almost otherworldly beautiful and colorful and which at the same time conveys a stark, voyeuristic glimpse at a "home movie". This atmosphere helps create an extremely realistic feel, aided by the outstanding performances of Ryan and Travis as well as Kentis' naturalistic direction. For example, while heading out on the boat, he has the cast engaging in small talk, none of which the viewer can quite make out--just as if you were a passenger watching these events unfold.

Once our protagonists are left behind to fend for themselves in the open water, the thoroughgoing realism doesn't stop. In fact, Kentis actually filmed his in the ocean, occasionally surrounded by real, wild sharks, which were only controlled by a shark wrangler (or "shark choreographer" as he calls himself) strategically tossing food into the water to hopefully direct their attention. While trying to survive, mired in their realistic but horrific situation, Susan and Daniel run through a plethora of emotions and conversations, all completely believable.

Kentis occasionally relieves the tension by presenting more abstract images--various shots of water at one point, clouds at another. These are beautifully filmed and edited, and very simply but effectively convey volumes about the unthinking ubiquity and power of nature, juxtaposed with man's place in it, attempting to survive.

Another unusual sequence has our protagonists still struggling as night and a thunderstorm descend. Long swathes of darkness accompanied only by frightening audio are occasionally punctuated by lightning flashes, which show just enough to heighten the sense of impending doom. It's an amazing moment and a pinnacle of horror film-making, completely justified and believable, yet terrifying. Kentis also deserves kudos for the resolution of the film, which is wonderfully poetic and nihilistic at the same time. Even though the running time of the film is slightly on the short side, the pacing and unfolding of events seems perfect; it doesn't feel short at all.

While this is not a film that everyone will appreciate, due to its extreme uniqueness and the uncompromising nature of the script, it is a film that anyone serious about film (and especially horror films) should watch and give a fair chance.

Reviewed by RedRoadster 2 / 10

No where near as good as the marketing hype.

The first time I became aware of "Open Water" was driving home one night in 2003 stuck in the usual traffic jam when i noticed a huge bill board advertising the movie. "Blair witch meets Jaws !" was the slogan above an image of two petrified characters in the ocean with a large shark fin in front of them. Being a big fan of Jaws and having been impressed by the Blair witch project I decided I would see it when released. I was further intrigued when i read the premise for the story. After I finished college i spent some time in, among other places, Cairns, Australia where I have family. There was a great deal of talk about the Outer Edge and the peace core workers Tom and Eileen Lonergan who had disappeared. Armed with all the details I had learnt from the locals in Cairns two years before Open Water was released, this became a must see for me.

Unfortunately it was a huge disappointment. The movie omitted most of the interesting elements of the real story. You are presented with two unlikable characters who we are given no background to and very little reason to care about what happens to them. More than half of the screen time is devoted to watching the two of them bob up and down in the Ocean.

I have read many reviews here that state how fantastic this piece of independent cinema is. I'm afraid I disagree. It is a boring, uninteresting and inaccurate piece of movie making. I have done some diving myself and there are many inaccuracies in the Ocean scenes. To name a couple, sharks do not tend to have the courtesy to wait until you are actually dead before they start consuming you and trying to drown yourself in a wet suit is damn near impossible.

This movie would have been so much more interesting if they had incorporated some of the real story into the drama. Did they fake their own deaths? Were their diaries an indication that this was done deliberately? Was the divers message slate with a plea for help genuine or a hoax? Sadly, none of this is included.

The real genius of the production was the marketing team that Lions gate films employed to promote the film. The advertising campaign was vast and guaranteed that public interest would be sufficient to make a profit on their investment.

When the credits rolled and the lights came up the night i saw this movie, I heard one man behind me shout "Is that it?" which drew great laughter from the rest of the audience. That was the most entertaining part of the whole experience.

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