It figures this movie was not made in the USA... If it was, then main gay characters would either have to get killed or at least decently commit, or try to commit, suicide, get castigated or openly persecuted or both for their sexuality, and of course there would have to be a gays-are-people-too sermon somewhere in there. In fact, in this movie, while the gays may not have it easy, neither does anyone else; while in fact the non-gays get much more s--t than our two gay heroes, who seem to playing everybody off of each other anyway. You keep expecting someone to burst in upon their smooching or harassing them on the street or some other such low-down thing, but no (and knowing this makes it so much more easy to watch the second time)! To the Hollywood-weaned watcher, the start is slow and you don't quite know which way things are going, but we are very naturally eased into the two guys' relationship. It's very sweet, Romeo and Jules-like stuff. And like other reviewers mention, it is also so natural and well- made (and carried so many other taboos) that gay seems barely to be the issue. It is not a happy ending for many of the main characters in the movie, but life goes on. Just like life actually does.
Much of the Pakistani Hussein family has settled in London, striving for the riches promised by Thatcherism. Nasser and his right hand man, Salim, have a number of small businesses and they do whatever they need to make money, even if the activities are illegal. As such, Nasser and his immediate family live more than a comfortable lifestyle, and he flaunts his riches whenever he can. Meanwhile, his brother, alcoholic Ali, once a famous journalist in Pakistan, lives in a seedy flat with his son, Omar. Ali's life in London is not as lucrative in part because of his left leaning politics, which does not mesh with the ideals of Thatcherism. To help his brother, Nasser gives Omar a job doing menial labor. But Omar, with bigger plans, talks Nasser into letting him manage Nasser's run down laundrette. Omar seizes what he sees as an opportunity to make the laundrette a success, and employs an old friend, Johnny - who has been most recently running around with a gang of white punks - to help him. Johnny and Omar have a special relationship, but one that has gone through its ups and downs, the downs fostered by anti-immigration sentiments of white England. Omar and Johnny each have to evaluate if their ideals of success are worth it at all cost.
Added By: Kaiac
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