Comedy / Drama / War

MASH (1970) download yts

Rotten Tomatoes Critics - Certified Fresh 87%
Rotten Tomatoes Audience - Upright 84%
IMDb Rating 7.6 10 55331  


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Donald Sutherland as Hawkeye Pierce
Robert Duvall as Maj. Frank Burns
Tom Skerritt as Duke Forrest
Bud Cort as Pvt. Boone
720p 1080p
663.73 MB
23.976 fps
1hr 56 min
P/S Unknown
1.19 GB
23.976 fps
1hr 56 min
P/S Unknown

Movie Reviews

Reviewed by 2004RedSox 10 / 10

One Of The Greatest Films Ever Made

Some people may think I'm insane for saying this. But this is one of the greatest movies ever made. It was so shockingly different back in 1970 and it influenced war films in the 70s (the "war is insane"-type atmosphere of the film was used by "Apocalypse Now".) The black comedy elements are as original as Dr Strangelove. I have watched this film over ten times and I get astounded each time by it's amazing originality. It's too bad Robert Altman doesn't get as much as recognition as Kubrick or Fellini though I feel he is in the same league. Today the admirable but inferior TV series is more well-known than the movie but I feel the movie is one of the great achievements in film history.

Reviewed by George Floyd (GF9) 10 / 10

Outrageous, in-your-face black humor

As comedies go, it doesn't get much better than M*A*S*H! Script, direction, casting, music and acting are all at their very best in this satirical take on the Korean War - ironically, there is no army action played out during the movie, just the escapades of Elliot Gould, Donald Sutherland, et al where they are stationed to take in casualties of war.

From the opening shots we feel the slow mood of the film, yet if we look a little closer, we see comedy and havoc all around. This is in my opinion, Altman's finest piece - the film is superbly shot, showing fantastic long shots, typical of the era. Elliot Gould has never been so cool, and Donald Sutherland's dryness is sublime. The cast as a whole are the driving force behind this movie - the actor's clearly have taken time to learn their character's, and it really shows, right down to Radar's communication with the field Marshall (or whatever he is). It is very much a character driven movie.

The football game just shows what these people are really like - fun, scheming, lovable cheats - but it pays off because the opposition is so loathsome.

Beautifully written, shot, acted and the rest. Without a shadow of a doubt this is a 10 out of 10 and one of the best comedies around.

Reviewed by Cheese Hoven 1 / 10

Theatre of war, theatre of cruelty

I'm at a loss to know what the makers of this movie were trying to achieve. The two main characters, Hawkeye and Trapper John, are possibly the two most obnoxious characters ever committed to celluloid, smug, bullying, misogynistic, devious and self centred. That would be fine if Altman had intended to show these ugly traits as being part of human nature brought to the surface by war, but he seems, perversely, to show such qualities as admirable.

The atmosphere resembles that of a school playground with bullying towards non-conformists being much in evidence. Conformity here is of course alcoholism, gambling and womanising. Again, this would be fine if the film makers intended this moral inversion and reversion to adolescence as being a bad side effect of war, in a sort of Lord of the Flies way, but the impression is that the lawless pack are the good guys while anyone who represents order is to be humiliated simply because this is "fun". Doing things by the book is such a drag, maaan.

Robert Duvall is the first to be mocked, simply because he happens to be praying. He is later punched by Trapper on a thin excuse and for which Trapper receives no punishment. Next he and "hot lips" have their passion broadcast for the amusement of all. The slender justification for this is that he is married, although almost everyone else is ignoring their wedding vows. Duvall is soon goaded into a fight and unjustly carted off in a strait jacket. Hot Lips receives a great deal of ritual humiliation simply because she is not popular. And the repulsive part is we are meant to be laughing AT her not feeling any sympathy for her. She soon has her dignity removed by having the curtain pulled away while she is showering, again to the amusement of a cheering mob. Her desperate plea for justice is treated like a joke by the commander (and the director).

All of this is shocking, but is presented as light entertainment. At no point to we get the impression that the descent into the baying mob mindset is a bad thing. Next the dentist who has concerns over his sexuality tells this to the 'hero' Hawkeye (the priest having heard this in the confession virtually breaks his vows in his eagerness to let Hawkeye know about it). Hawkeye then blabs this sensitive info to everyone who jeer at the dentist and laugh at his intention to commit suicide. He is "cured" of his gayness by a mock last supper (with heavy influence of Da Vinci), mock funeral and then a sexy girl. Hey presto all is alright. Hawkeye and Trapper continue their obnoxious antics in Japan where they treat some nurses with contempt, then gas and make compromising photos of a commander who dared to question them.

At this point the audience is expecting the pair to receive their well deserved comeuppance. Alas, this never comes. Instead the movie lurches into a long football match, which includes a black player called "spear chucker", and which they win by cheating. Perhaps this is meant to be some allegory of war? Since we are shown several images of the opposing team sitting on the bench sharing a joint, I guess the intended message is that the best option in war is to sit on the sidelines and take drugs.

This football sequence also points up the inconsistency in the writing. Hot Lips, having previously opposed the playing of football, suddenly becomes the chief cheerleader. No explanation is given. She is still treated to derogatory comments, and ends up meekly sitting at a poker table obediently watching the men play cards. The Stepford Wives has nothing on Mash.

The writing has this inconsistency throughout. Rambling sequences. General sloppiness. Characters who disappear. Duvall goes early on. Then the young boy he was teaching is taken off "for a few days" by a doctor who notices the boy's high heart rate. We never know what happens to him. The dentist disappears after his moment.

This is not a well made film and a waste of the talent of all involved.

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