Dear White People


Comedy / Drama

Dear White People (2014) download yts

Rotten Tomatoes Critics - Certified Fresh 92%
Rotten Tomatoes Audience - Upright 64%
IMDb Rating 6.3 10 18089  


Added By: Kaiac
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Tessa Thompson as Sam White
Teyonah Parris as Colandrea 'Coco' Conners
Kyle Gallner as Kurt Fletcher
Tyler James Williams as Lionel Higgins
720p 1080p
811.46 MB
23.976 fps
1hr 48 min
P/S Unknown
1.64 GB
23.976 fps
1hr 48 min
P/S Unknown

Movie Reviews

Reviewed by Discogodfather9622 3 / 10

Boring movie

DWP is the feature directorial debut for Justin Simien, having previously raised most of the film's budget from the crowd-funding site Indiegogo. The film is a satirical story about a group of black students at a fictitious Ivy League school where tensions reach a boiling point when white students throw a black, "ghetto themed" party. To be blunt, I didn't like the movie. I went into it with a "sock it to me attitude." What I got was a watered down wannabe Spike Lee joint. It's clear that Simien is a Spike Lee fan right down to the directing style, but when it comes to the in-your-face attitude, it falls flat. The "show down" at the aforementioned party was a joke. Some bottles were broken, a few stereo speakers knocked over, and a face was punched; that was about it. The one star that shined from the movie was Tyler James Williams, formerly from Everybody Hates Chris, playing the socially awkward, gay character, Lionel Higgins. He just wants to be himself while cliques try to claim him as their own. Do yourself a favor and watch, "Do The Right Thing" instead.

Reviewed by Darnell Walker 9 / 10

Dear White People translated Higher Learning into a language today's black students on white campuses can understand

Justin Simien successfully translated Higher Learning into a language today's black students on white campuses can understand, and he did so in a way that allowed me to walk out of the theater asking for no one's head on a platter. Higher Learning is almost 20 years old, and I still feel the need to quarantine myself immediately after watching out of fear of having a rooftop cafeteria moment with everyone I feel is calling me the N- Word in their head. The students now are different and revolution is happening in a much different way, and Justin understands that.

To that I say, "way to freaking go, Justin Simien, and all involved."

Because my mother's favorite movie is Imitation of Life, I've known about the tragic mulatto for quote some time, but never have I seen one find peace before the end credits. Sure, in my head Peola Johnson went on to live her life as a black woman, in peace. But that only happened in my head. "I'm in the middle of something," Sam told her mother on the phone. As a sometimes filmmaker, it was such an amazing moment. The elusive triple meaning Jay-Z spoke of. Here she was, in the middle of planning a protest, in the middle of a rock (Reggie) and a hard place (Gabe), and in the middle of figuring out exactly who Sam was.

Todd Tucker, Mona Scott-Young, Tyler Perry, and anyone who dares throw a D.A.R.E. shirt on a functioning crack head should grab tickets and see what we who are outside the frame are looking at. The loud yell that came from me during the Madea discussion and George asked, "Where's she going this time? Dialysis?" was needed.

I would be shocked and disappointed if I someday find out Justin isn't a fan of Nikki Giovanni. The love scene between Sam and Gabe has "Seduction" duct taped to it. It was perfect. Pure poetry.

Topher Osborn (Cinematographer), you are the man! Not once was I not in love with everything I was seeing. Be sure to share part of that compliment with Toye Adedipe (Costume Designer)

As a sometimes critic on culture and sometimes higher education guy, I was pleased to see real people on the screen. Unfortunately it'll bypass the thoughts of so many people, but Simien touched on something I speak about often: black students who culturally identify as white due to their upbringing, environment, and now likes and dislikes and who're associated with them.

Though I share almost identical experiences with Sam, including the screening of my film in Professor Dvir's cinematography class at Howard University, while protesting on my undergraduate campus alone, and my constantly being in the middle of something, I didn't feel much of a connection with her, and I'm not sure why. I still rooted for her in all that she did, but if she died, I wouldn't have been sad. However, I'd show up at Colandrea's funeral with the biggest wreath. For me, she was the most well-developed character, and her ending was perfect. To grow up feeling as though she didn't belong due to rejection because she's a middle class girl living in the hood (Obama Style in South Side Chicago), carry that to college, and finally see things differently and work toward reform, but to be rejected again. Life!

I wanted more for Reggie, also. Why was he so into Sam? Who is he without her? I also wanted Sam's struggle to reach a decision between the rock and the hard place to be deeper, and maybe a little bloody. I needed more from her. I do understand though that time allotment doesn't always let us develop characters the way we'd like.

I feel I could have lived without Lionel Higgins, though he was a good temporary distraction between the scenes I loved, but I do get the purpose of his character in the grand scheme.

GO CURLS (Ashley Blaine Featherson)! You were Awesome!

Better film (and definitely better Black film) is being created and produced and Justin Simien and his amazing creative team are taking off! This won't be the last we hear from him, I'm sure. We're ready!

Reviewed by kimaj9 9 / 10

Snarky, witty film that's about more than just race

Dear White People is a quick-witted film with a provocative title. For those who have not seen the full film, there is definitely more to it than what's revealed in the trailer. Initially focusing on race, the film goes deeper into the unexpected and unique aspects of each character, uncovering more than what's just skin deep and taking a look at identity. It's a very interesting movie about self acceptance in a world where issues around race, sexual orientation, and general stereotyping still exist. This film is much more than a black film about race issues in America. I highly recommend it for folks who are interested in a bold film with great dialogue and archetypal characters turned multidimensional.

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