Whatever Works

2009

Comedy / Romance

Whatever Works (2009) download yts

Synopsis


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Director

Cast

Larry David as Boris Yellnikoff
Evan Rachel Wood as Melodie St. Ann Celestine
Adam Brooks as Boris' Friend #1
Michael McKean as Joe - Boris' Friend #3
720p 1080p
1.12 GB
1280*720
PG-13
23.976 fps
1hr 32 min
P/S Unknown
1.76 GB
1920*1080
PG-13
23.976 fps
1hr 32 min
P/S Unknown

Movie Reviews

Reviewed by boydens 9 / 10

See this movie and then read the external reviews

I saw this movie in a packed cinema and the audience loved it to the extent that many applauded at the end. So I came home, looked it up in IMDb and read some of the review by professional film critics. What I found helps to explain why nobody reads papers anymore and why professional movie reviews are increasingly irrelevant. The critics drooled all over themselves for No Country for Old Man -- a ridiculous blood bath where the bad guy can see through walls, magically find people on the run, and kill repeatedly without raising much more that a mild interest from the local and state police. Yet many of these same critics think the characters in this new Woody Allen film aren't realistic. God save the film critics.

Back to the film. I can't remember the last time I laughed this hard at the movies, and I wasn't alone. It takes special talent to direct a movie that is so dependent on perfect comic timing to work, and the actors in this film hit their marks consistently. If there is character in this movie that shouldn't be the subject of study in an abnormal psychology class, I missed them.

If you care about intelligent movies for grown-ups, then you need to support movies like this one.

Reviewed by carped 10 / 10

Woody has done it again

The critics have missed on this one. Don't believe the negative reviews. It's the funniest one from Woody since maybe Deconstructing Harry. Everything works. From the very original script, combining Allen's bleak view of life with effervescent farcical plot line, to uniformly fine performances from Larry David, Evan Rachel Wood, Patricia Clarkson, and the rest of the cast. Comedic sparks fly non-stop. Not just light chuckles here and there at Woody's witticisms, but loud all-out laughter. The scenes with Ed Begley's and Patricia Clarkson's transformations of 'classic text-book right-wing material' are especially hilarious. And in the end I came out from the theater, thinking that in a paradoxical way it was one of the most life-affirming pictures from the master.

Reviewed by GoneWithTheTwins 7 / 10

Whatever Works Movie Review from The Massie Twins

A perfect blend of Woody Allen's views on love and relationships and Larry David's pessimism of life and the imbecilic, Whatever Works won't appeal to those who can't find humor in the morbid recesses and sarcastic ranting of these two comedians' minds, but everyone else will revel in the darkly misanthropic philosophies. Though this perverse fable may wrap up a little too neatly for those less inclined to believe in optimism for such an ensemble of decadent misfits, viewers with the right amount of indifference towards decency won't object, as long as they aren't one of the mindless zombie masses so scathingly scolded in the cynical social commentary.

Attempting to impress his ideologies on religion, relationships, and the randomness (and worthlessness) of existence, lifelong New York resident Boris Yellnikoff (Larry David) rants to anyone who will listen, including the audience. But when he begrudgingly allows naive Mississippi runaway Melodie St. Ann Celestine (Evan Rachel Wood) to live in his apartment, his reclusive rages give way to an unlikely friendship and Boris begins to mold the impressionable young girl's worldly views to match his own. When it comes to love, "whatever works" is his motto, but his already perplexed life complicates itself further when Melodie's parents eventually track her down.

It may be written by Woody Allen, but it certainly feels like Larry David's material. Regardless of who's channeling who, the biting humor in the film is simply hilarious; it's surprising how much fun can be had from watching a character who positively abhors life, people and interaction. Boris may not be relatable, but he's wickedly sarcastic and intelligently despicable. The conclusion may be a bit too tidy to be interpreted as much more than a cynical comedy, but the supporting actors and clever dialogue creates a set of disillusioned protagonists that are easy to watch.

Perhaps the most intriguing aspect is the odd-couple pairing of elderly Yellnikoff and the hopelessly naïve twenty-something Melodie. Extreme differences in age and social standings have been explored in Allen's previous films, but both characters are so delightfully polar opposites that seeing them together is refreshing. They're two runaways on a mission to fulfill the illusion of meaning, one a self-proclaimed genius, the other a foolish, feeble-minded cretin with a heart of gold. Add to that the nonstop sophomoric tirades on religion, sexuality, mortality, marriage, the presidency, racism, human existence, and chess, and you've got an overload of pessimistic insights posing as genius. It may not be a feel good movie, but it's convincingly ridiculous and it absolutely works.

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