Upstream Color

2013

Drama / Sci-Fi

Upstream Color (2013) download yts

Synopsis


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720p 1080p
752.87 MB
1280*720
Not Rated
23.976 fps
1hr 36 min
P/S Unknown
1.43 GB
1920*1080
Not Rated
23.976 fps
1hr 36 min
P/S Unknown

Movie Reviews

Reviewed by David Ferguson 7 / 10

True Identity Theft

Greetings again from the darkness. This is no typical movie, so these will not be typical comments. In 2004, Shane Carruth became something of a cult hero with the Sundance Festival crowd when his debut film PRIMER won a Grand Jury Award. Nine years later, we get his follow-up ... the ultimate artsy, indie film for those who thrive on analysis and prefer to avoid a story ending wrapped up with a neat bow.

These comments will not give you much, but I can tell you the screening had many viewers who left frustrated and confused. The fragmented narrative can be a bit disorienting and it avoids the usual staple of a resolution at the end. The audience knows more than the characters, yet the audience is baffled while the characters just continue on.

The first segment of the film is when it's at its most traditional. We see Thief (Thiago Martins) perform some type of worm/parasite procedure that slowly brainwashes Kris (Amy Seimetz) or leads to mind control or loss of personality ... just depends how you prefer to describe it. We then see The Sampler (Andrew Sensenig) help her overcome thanks to a blood transfusion on his pig farm. Yes, really. Finally, Kris bonds with Jeff (Shane Carruth) as they seek to reassemble their lives and re-discover themselves. Watching them bicker over who belongs to what memory is frightening and fascinating. It makes you question the definition of personal identity, and what if we lost that (or it was stolen).

Nature plays a huge role here, along with the connection to Thoreau's Walden. Many will use the term pretentious. Some will call it boring. Still others will be drawn in by the imagery and sound (or sometimes lack thereof). Shane Carruth does not fit Hollywood and neither do his films. He is a writer, producer, director, co-editor, cinematographer, and actor. He clearly has a love of the material and his choice of Amy Seimetz really makes the film work. She is outstanding (and also a filmmaker). The tired phrase "it's not for everyone" certainly applies here, but if you are a Terrence Malick fan or just enjoy being challenged by somewhat abstract themes, this one is worth a look.

Reviewed by Red-Barracuda 2 / 10

Alienating and tedious

Where to begin? Well, it's very possible that Upstream Colour has a very interesting premise. I can't really confirm this though because quite frankly this is one incomprehensible movie. It starts out fairly intriguing to be fair, with a woman abducted by a man who implants a modified maggot into her. This leaves her in some way under his control and he proceeds to get her to give all of her money to him. Another man pitches up and transfers her internal maggot into a pig. It appears that he has a group of pigs that are all connected to different people who have suffered a similar fate. Anyway, the girl has no memory of her ordeal and soon she meets a man who it turns out was also a victim of the same ordeal. It's at this point that the film goes rapidly downhill.

Upstream Colour is one of those movies where things are certainly not spelled out to the audience. This in itself is not a criticism; it's often laudable in actual fact. But equally this in and of itself is does not necessarily mean a film should be praised. This movie lost me mainly because of the alienating presentation, it was impossible to empathise with the characters and the constant ambient soundtrack humming in the background only added to the detachment. The tone of the movie is more or less a flat line – beyond the interesting opening the story hums along in a one pitch manner. The dialogue scenes between the two central protagonists are very unengaging, bordering on tedious. Visually there were things of interest and its ambiguity was compelling to an extent but overall this one left me very cold.

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