They Were Expendable

1945

Drama / War

They Were Expendable (1945) download yts

Synopsis


Added By: Kaiac
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Director

Cast

John Wayne as Lt.
Donna Reed as Lt. Sandy Davyss
Ward Bond as 'Boats' Mulcahey C.B.M.
Blake Edwards as Boat Crewman
720p 1080p
955.36 MB
1280*720
Unrated
23.976 fps
2hr 15 min
P/S Unknown
2.02 GB
1920*1080
Unrated
23.976 fps
2hr 15 min
P/S Unknown

Movie Reviews

Reviewed by bkoganbing 8 / 10

Geography Made Them Expendable

They Were Expendable is John Ford's first Hollywood feature since his discharge from the U.S. Navy and the same can be said for Robert Montgomery. Both had served in the Navy and Montgomery in fact on P.T. Boats. From the last presidential election we now know them as Swift Boats.

It's an unusual John Ford film because the usual heavy comedic monkeyshines are rather subdued here. I'm thinking that John Ford wisely decided that World War II being recently over, the country's mood was joyous, but somber in terms of the heavy human cost.

They Were Expendable has the benefit though of the American audience knowing the ultimate victory. The story begins in the Phillipines in 1941 with Robert Montgomery as real life naval hero John Bulkeley, renamed Brickley for the film, trying to convince the brass of the usefulness of the P.T. Boat in combat, not just for scouting and courier duty. Of course that experiment is cut short and the P.T. Boats and their crews are rushed into some on the job experience.

During the film MacArthur, you might recall Gregory Peck saying that he was going to be evacuated from Corregidor by "one of Johnny Bulkeley's torpedo boats." That scene is dramatized as a wordless Robert Barrat plays MacArthur traveling on the boat commanded by John Wayne.

Wayne is Montgomery's second in command of the P.T. boat squadron who is not thrilled to be there. He'd like to be on at least a destroyer. He gradually comes around though. He also gets a fling in the romance department with Navy nurse Donna Reed.

During that interlude John Ford had some of the crew outside singing Dear Old Girl in a comic vein. Ford was never one to not let a good bit of business die with one film. You might remember in Fort Apache and Rio Grande there was some serenading done. And Donna Reed got serenaded on her "Hawaiian" honeymoon with James Stewart in It's a Wonderful Life with Ward Bond once again being one of the serenaders. I'm sure Frank Capra would have conceded he stole that from Ford.

The story is first and foremost about some very desperate American armed forces who after Pearl Harbor were at the Japanese mercy. Pearl Harbor had totalled our Pacific fleet and no supplies could get through. Still the troops there fought on bravely, they were in fact by geography expendable.

Wayne and Montgomery give good but subdued performances. No do or die heroics here, just a sobering reminder of a terrible beginning for the Americans in the Pacific theater of World War II.

Reviewed by jacksflicks 10 / 10

One of the Greatest War Films

I have very strong feelings about this film. As a baby boomer, I have always felt that mine and future generations owe an eternal debt to those who didn't come back.

One way of acknowledging this debt is the way we watch war films, not as bloody spectacles but as tributes and reminders.

And what kind of tribute and reminder is "They Were Expendable"? Consider the rueful irony of the title. Such a sentiment is quite uncharacteristic of director John Ford's other work, especially his westerns (possibly excepting "Fort Apache"), which border on jingoism. Yes, there's a scene that's pretty hard to take: When the boats are detailed to take MacArthur out of harm's way, Ford tries to make out like they're rescuing Lincoln, complete with "Battle Hymn of the Republic" soundtrack. Today we know MacArthur as an overrated blow-hard, but 1945 was too early to see past the hype. And yes, there's some of the usual Ford corn-ball and the familiar Ford players, with John Wayne and Ward Bond doing their thing. But then, there's the great Robert Montgomery, who did active duty (unlike Wayne), and I truly believe he was playing this film, both as actor and co-director, straight from the heart. You can see it in a scene in which he realizes his duty means his death. Much of that scene is shot in shadow, but paradoxically the darkness serves to enhance Montgomery's underplayed emotions. The emotions are similar when Montgomery and Wayne are later confronted with an order that saves their lives but dooms their men.

Implicit in the belief that war is sometimes necessary is the inevitability of some of the most excruciating moral dilemmas imaginable. And when I see these dilemmas imposed on men and women, boys and girls, demanding their lives in payment for their sacred honor, I'm humbled beyond words.

Life magazine used to do huge layouts of kids killed in World War II combat. When I look at these faces and think of the words "They Were Expendable," I . . .

Reviewed by B24 10 / 10

A film about following orders no matter how painful

The best war films pull no punches. They also make the point that -- irrespective of natural sentiment and political bias -- war is by nature an aberration, lacking any rational basis for justifying its recurrence through the centuries. War is essentially uncivilized, and can be excused only when a disputant being attacked can define a clear and present danger against which no alternative obtains.

Lesser war films tend to extol the virtues of war, glamorize heroism in battle, play on the viewer's emotions, blow things up for the sake of thrills, exaggerate false sentiment, betray a jingoist point of view, and most reprehensible of all cloak themselves in Orwellian speeches that seek to manipulate an unwitting audience into action.

This film is simply one of the best of the best. Except for one or two sequences it relies on believable, non-heroic characters involved in acts of concentrated heroism under the most stressful and suspenseful conditions imaginable. Its tone is that of having been filmed in actual wartime using many actors who themselves were recent combatants. Yet it covers a full range of cinematic possibilities, from a sensitive script to an excellent musical score.

I will not dwell on all the aspects of authentic, almost documentary, elements in this film. I spent the war on the home front, and thus do not know of all the technically correct parts that others here have commented on. My own recollection was that most of the ordinary joes were always referring to Douglas MacArthur as "Dugout Doug," a derogatory swipe at his flight to Australia and reluctance to go on the offensive for some time thereafter.

Like other great war films such as All Quiet on the Western Front and Paths of Glory, this one takes its place right up there.

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