The Zero Theorem

2013

Drama / Fantasy / Sci-Fi

The Zero Theorem (2013) download yts

Synopsis


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Director

Cast

Christoph Waltz as Qohen Leth
Gwendoline Christie as Woman in a Street Commercial
Matt Damon as Management
Tilda Swinton as Dr. Shrink-Rom
720p 1080p
809.59 MB
1280*720
R
23.976 fps
1hr 47 min
P/S Unknown
1.64 GB
1920*1080
R
23.976 fps
1hr 47 min
P/S Unknown

Movie Reviews

Reviewed by Rafael Vargas 8 / 10

A true Terry Gilliam film.

I'm not very fond of reviews so i will be quick.

I love his movies. Brazil, Bandits, Munchhausen. They represent wonderful memories from my childhood. These are special movies. Not that I don't like the 12 Monkeys and the others, I love them. But those are special. Dream injections in VHS format they were.

The Zero Theorem? I really liked it. It felt like one of the special ones. Very little CGI, beautiful sets, great actors, crooked angles and a compelling story. I think most people will relate to the main character and his very explicit dilemmas. It is a satire of the world we live in today, as Brazil was back in the 80's. In many aspects they are very similar.

If you are a fan, watch it. You'll not be disappointed.

Reviewed by shawneofthedead 8 / 10

Weird, wise and wonderful.

Terry Gilliam has never found it easy to make one of his downright weird films. Studio interference has almost invariably led to project delays, postponements, and outright cancellations, with his final cuts emerging bruised, bloodied and - more often than not - broken. Interestingly, The Zero Theorem suffers from next to none of the scuttlebutt that usually accompanies a Gilliam film. Instead, this dense, complex, thought- provoking odyssey of human existence and (un)happiness feels like pure Gilliam: odd, uncompromising, but - at its best - almost breathtakingly brilliant.

In some not-so-distant, sparkly-bright dystopian future, brilliant and determinedly solitary mathematician Qohen Leth (Christoph Waltz) suffers through the tiny indignities of daily life. He's forced to leave the burnt-out church he calls home to report for work, where he crunches numbers for his clueless immediate supervisor Joby (David Thewlis). But all he wants is to stay close to his telephone, waiting for a call he believes will help him unravel the mysteries of the universe and his existence.

When mysterious head honcho Management (a silver-haired Matt Damon) finally gives him leave to work from home, Qohen is assigned the impossible Zero Theorem, a mathematical conundrum that has defeated many a mathematician before him. To keep him from going completely around the bend, Management sends him company in the form of Bainsley (Mélanie Thierry), a nubile young woman with whom he forges an unexpected emotional connection; and Management's own genius teenage son Bob (Lucas Hedges).

If you're looking for a plot that makes sense and progresses in logical fashion, The Zero Theorem is not the film for you. In Gilliam's movie, based on a loopy, mind-bending script by Pat Rushin, plot points are more often than not metaphors for the human condition. The script can be simultaneously literal and obtuse: Qohen lives in a hollowed-out church, a blindingly obvious symbol of the fading of traditional religion; he's waiting for a call - read: calling - that will free him from the humdrum banalities of a worker-bee's life.

But that's also where the film's genius lies. It's an explosion of philosophical ideas, asking deep, difficult questions about happiness, humanity and hubris - often in the same scene. Few films and film-makers would dare to so boldly confront existential issues on this scale and to this depth. The titular Zero Theorem, after all, requires Qohen to prove that everything is nothing: that the entire universe, filled with people, ultimately has no meaning. Qohen's strange, isolated journey hints at some answers, but not anywhere near all of them.

Gilliam could easily have failed on two counts: the seemingly stereotypical blonde love interest; and the annoyingly precocious teenage boy. But, within these archetypes, The Zero Theorem finds something fascinating to say. Bainsley starts out as a ditzy blonde dream girl, but winds up offering Qohen plenty of soul and an elusive, transient kind of eternity. Bob, too, is a whip-smart delight, a child more in tune with the silent beats and rhythms of the universe than any number of people older and purportedly wiser than him.

The film would fail catastrophically without a leading man capable of handling the tragedy and comedy of Qohen Leth - a character who, in habitually referring to himself using the royal 'we' , is a metaphor for every human being that has ever been and will ever be. Waltz is more than up to the task. He is hilariously effective when called upon to wriggle into a skin-tight virtual-reality costume, and devastatingly heartbreaking in the moment when Qohen refuses a chance at freedom and happiness to stay locked into the dark, nihilistic world in which he lives.

There are also a pair of wonderful supporting turns - slightly larger than cameos - from Damon and Tilda Swinton. The former clearly enjoyed his time working on The Brothers Grimm, one of Gilliam's most disastrous on-set experiences, and here, he provides a grim, mysterious counterpoint to Waltz's Cohen - the latter only appears to be impenetrable and tough to crack. Swinton, meanwhile, is a hoot as Dr. Shrink-Rom, Qohen's at-home, virtual psychiatrist, fumbling through their sessions with tons of blustery, false cheer.

Perhaps most astounding of all is the fact that Gilliam made a film that looks so good - in its inventive, kitschy way - on a shoestring budget of US$8.5 million. That's pocket change for most Hollywood films, and there's no doubt that everyone involved took a huge pay-cut to make The Zero Theorem look as great as it does. The special effects are mostly wonderful, and the neon-coloured world through which the black-clad Qohen stalks practically bursts at the seams with detail and imagination.

The Zero Theorem is emphatically not a film that will appeal to everyone. There are those who will find themselves incredibly annoyed by its philosophical navel-gazing, and others who might find Qohen's entire journey pointless and irredeemably self-involved. But, when it comes down to it, it's hard to deny the weird, wacky power of Gilliam's movie. The Zero Theorem so bravely grapples with big ideas and complicated metaphors that it's hard not to admire the director's great courage and even greater ambition.

Reviewed by jaimedelgado-1 8 / 10

this is a cult movie

Too bad movies like this don't get a bigger budget, specially to enhance the special effects and futuristic scenarios, but that really doesn't matter when you are a creative genius like Gilliam, he does a great job with what he is given. This movie has great resemblance to his other retro futuristic movie Brazil, which combines retro and futuristic images and elements in a Dystopian chaotic Orwellian future.

Here we struggle with the main character (wonderful played by Christoph Waltz) and his meaningless solitary existence hoping to get an answer by a higher power of what life is all about.

So can the hero find out the meaning of life or the absence of it? and will he be willing to sacrifice his potential joy and happiness in order to get that mysterious call. Well you will be the judge.

If you like this movie I also recommend PI by Aronofsky, Brazil, Blade runner, 1984, THX1138 among other great ones. Hopefully this movie will become a cult classic and show new directors that they don't require 100+ million dollars to make good sci-fi movies. Thanks and cheers to Gilliam for sticking for what he believes in and daring to tackle difficult philosophical questions and having that original fingerprint he stamps in all his great movies.

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