The Wizard of Oz

1939

Action / Adventure / Family / Fantasy / Music

The Wizard of Oz (1939) download yts

Synopsis


Added By: Kaiac
Downloaded 147,307 times
July 18, 2016 at 12:36 PM

Director

Cast

Judy Garland as Dorothy
Margaret Hamilton as Miss Gulch / The Wicked Witch of the West
Ray Bolger as 'Hunk' / The Scarecrow
Jack Haley as 'Hickory' / The Tin Man
720p 1080p
751.31 MB
1280*720
Passed
23.976 fps
1hr 42 min
P/S Unknown
1.40 GB
1920*1080
Passed
23.976 fps
1hr 42 min
P/S Unknown

Movie Reviews

Reviewed by Slav Petkov (slavi_sofia) 10 / 10

I wish I could have followed the yellow brick road.

When I was a very little boy, I saw that movie on The Bulgarian National Television and I really fell in love with it:)). It was a kind of magic that took my heart to eternity and from there it saw all the world in a very amusing way:)). I will probably never forget the first time I saw that movie...I really hope that everybody will continue watching it and it won't be among the forgotten movies... If you're very very young and you haven't seen it yet, then see it, you will feel the greatest force of the white magic:)))).

Judy Garland is THE PERFECT DOROTHY!!!:)))

See it, OK??:)))))

Reviewed by robb_772 10 / 10

Still Has Its Magic

Where to begin? MGM's elaborate adaptation of L. Frank Baum's 1900 fantasy classic THE WONDERFUL WIZARD OF OZ not only became an institution among itself (and practically defined the concept of modern popular culture), but is reported to be the most viewed film ever made. A sharp screenplay effectively condenses the novel's text into a workable film, and director Victor Fleming (along with countless other behind-the-scenes technicians) craft a visually stimulating fantasy world that surpasses the expectations of even the most imaginative viewers. Brimming with stunning visual effects (the film's fierce tornado is an FX feat that has yet to be surpassed by CGI), witty dialogue, and eye-popping Technicolor, THE WIZARD OF OZ truly lives up to it's reputation as a once-in-a-lifetime film where every element comes together flawlessly.

The cast could not be improved upon. The quivery-voiced, solemn-faced Judy Garland will always be Dorothy, the little lost farm girl on the road to Oz, clutching her beloved Toto (impressively portrayed himself by the female canine performer Terry, the terrier). It seems inconceivable that MGM had originally wished to cast Shirley Temple in the role, as Temple's doe-eyed, cutesy-voiced shtick would have been a catastrophic ill-fit for the tone of this picture. Conversely, Garland is perhaps the screen's quintessential woman/child; always seemingly just one step away from reaching full emotional maturity. It is her sadness that transfixes viewers to the screen, the exact same quality that made the film's most memorable Harold Arlen/E. Y. Harburg number "Over the Rainbow" into one of the most exquisite marriages between artist and song ever to be recorded.

The remainder of the cast is similarly exceptional, many of whom perform perfectly even under the most debilitating make-up and costumes. Frank Morgan is marvelously versatile in no less than five roles, the insanely energetic Bert Lahr mugs brilliantly, the handsome Jack Haley swoons sweetly, Billie Burke lends the film an ornate ethereality, and Ray Bolger's gravity-defying physical presence nearly steals the entire picture on several occasions. Perhaps most notable is former schoolteacher Margaret Hamilton's transformation into the wickedest of wicked witches, which certainly remains among the vilest and most terrifying portrayals of full-throttle evil ever to be seen. No matter how it is analyzed, scrutinized, or satirized, the 1939 production of THE WIZARD OF OZ is a top-notch example of how to turn a great story into a fabulous, milestone of a film.

Reviewed by The_Film_Cricket 5 / 10

A fantasy rooted in the landscape of your childhood.


I have a theory that this movie has probably been seen by more people than any other movie. The fact that it comes to us as children is probably the reason why. Other films like 'Gone With the Wind', 'Citizen Kane', 'The Godfather', 'Star Wars', have been seen by a lot of people but in each case I can imagine people that might not have seen them. In the case of 'The Wizard of Oz' it's hard to imagine anyone who might not have seen it at some point in their lives. Almost everyone you talk to has a memory of their first experience. The reason this movie remains the most beloved of Hollywood films even after six decades is because 'The Wizard of Oz' is unique among motion pictures in that it mirrors our longings and imaginations as children.

The movie, in front of and behind the scenes, has become movie folklore. We love the legends about the rotating directors, from George Cukor to King Vidor to Victor Fleming. We know the legend of Buddy Ebsen who had to drop out due to an allergic reaction to the Tin Man makeup and Margaret Hamilton whose dress caught fire and nearly had her face burned off because of the copper-based make-up. We love stories about the problems on the set between personal feuds, sweltering costumes, partying munchkins and the costume designer who had to keep up with Judy Garland's developing bust line. There's even a spurious legend of a ghost on the set. All of these elements make 'The Wizard of Oz' a much bigger legend than it already it, but that's okay because this is the one movie that deserves to be over-hyped. It occupies such a large part of our memories that we want to make it more than it is, to just have one more reason to make it more than a movie, we want it to be a life experience.

That experience is brought to us because we are intimately familiar with its story elements. The dreams that Dorothy sings about and the adventure that follows seem to mirror our yearnings as children. She imagines a bigger place where her problems don't linger and she is free to explore them. She imagines a place where there isn't any trouble and people actually listen to what she has to say. She sees the rainbow as her golden gate to a better place because in her drab Kansas world, the rainbow is the only source of color that she knows. She dreams of a bigger place and imagines a world where troubles melt like lemondrops. We can relate. How many of us as kids sat in our room or in our yards and played, imagining a place to go and characters to interact with, a colorful world bigger than our small, confined worlds.

Oz is meant to represent the colorful palette of our imagination but for Dorothy it is also a place where she does some growing up. The three friends that she meets along the way, The Scarecrow, The Tin Man and The Lion are emblematic of the lessons of bravery, love and devotion and the ability to think for ourselves. The Wicked Witch of the West certainly represents the real dangers along the way. For Dorothy there is a matronly figure, Glinda the Good Witch who intends for Dorothy to discover for herself how to solve her problems, she knows that Dorothy must grow up along the way. In a way, she seems to represent the parent that Dorothy doesn't have back in Kansas. Her aunt and uncle love her but this was a movie made during the depression and we imagine the climate that they live in, where work means keeping the farm. No work = no farm = no home.

For 1939, Dorothy was the perfect character for young girls. She echoes many of the small town country girls who, in the midst of the depression, packed their suitcases and ran to Hollywood seeking fame and fortune in the movies. For them this film is a cautionary tale that they'd be better off if they just stayed home. Judy Garland was perfect in the role, 17 at the time, but with wide-eyes and a beautiful, open face she carries that sense of wonderment of a child. Like most of us as children, her only true companion is a dog named Toto and the most frightening moment in the film is when she is nearly robbed of her best friend. When she sings 'Over the Rainbow' we know that it's to escape an unhappy childhood (she has apparently lost her parents) and for Garland we identify. She began in show business as a kiddie act with her sisters and began her long movie career when she was only 13. She was already a familiar face from 'Love Finds Andy Hardy' and by the time of 'Oz' she was already under contract to MGM. That she was familiar to audiences helped her in the role. That familiarity works well with her ability to project the vulnerability and melancholy that the character has to have. We have to believe that she will become frightened and that her life will be in danger because if she doesn't that we sense that the character can work her way out of the situation herself and our interest wanes.

If movies are a time capsule than 'The Wizard of Oz' wonderfully captures a brief moment of happiness in Garland's life. We know of her problems with studio execs that put her through an exhausting schedule and used drugs to get her going in the morning then put her to sleep at night. We know the legends of her mental and physical problems that dogged her most of her life but 'The Wizard of Oz' sees her at a moment in her life when it all seemed perfect, just as her star was rising and before her problems really began. There's poignancy in that, and that's why I think that the casting of Shirley Temple in the role would have been a mistake. By 1939, Temple was the biggest star in the world her presence in the film would have been too much, she would have stood out and we would only seen Shirley Temple, not Dorothy Gale.

Garland's presence allows the story a certain credibility. I have tried to imagine that famous dance down the Yellow Brick Road with a 4 foot child and it just doesn't fit.

If Garland gives the film its center than I think the production design, awe-inspiring in 1939, is the perfect backdrop. In these early musicals filmed on a soundstage it isn't hard to spot where the soundstage ends. Some have seen that as a flaw but I think it adds to the dreamlike quality of the film. The matte paintings behind the sets add to the storybook quality. The fact that we're in a dream makes it okay that the special effects look a little hasty. That was the genius of the screenplay, that and to establish the Oz characters as characters that Dorothy meets in Kansas. In our dreams we often see people and events that have recently occurred in our lives, but this is the first time I've ever seen it expressed in a movie. In particular is the notion that Professor Marvel keeps showing up as various characters in the dream.

What generosity the filmmakers had. What ingenuity to create this entire world that is colorful and beautiful and scary. What depth of character they created. What messages they send. This is a movie constructed with loving care. We're told that those who worked on the film just thought of this as just another movie, but when I watch the film I find that hard to believe. Certainly from the screenwriters. I wonder if they saw how brilliantly they were tapping our frustrations and our excitement, our dreams, our need and our sense of wonderment. I wonder if they knew the impact of what they were working on, that the lovely sentiments that they created would still resonate 60 years later. I wonder if they knew that their heart's desires weren't that far from our own.

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    luggy1967 August 30, 2016 at 09:56:35 am

    anyone have the 3D version ?