The Mothman Prophecies

2002

Drama / Horror / Mystery / Thriller

The Mothman Prophecies (2002) download yts

Synopsis


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Cast

Richard Gere as John Klein
Laura Linney as Connie Mills
Will Patton as Gordon Smallwood
Bob Tracey as Cyrus Bills
720p 1080p
1.44 GB
1280*720
PG-13
23.976 fps
1hr 59 min
P/S Unknown
2.27 GB
1920*1080
PG-13
23.976 fps
1hr 59 min
P/S Unknown

Movie Reviews

Reviewed by Dan Franzen 8 / 10

Pretty Mothman

John Klein (Richard Gere), a Washington Post reporter, finds himself somehow drawn to a small town in West Virginia. In fact, his car dies, along with his cell phone and watch. He knocks on a nearby house to call for help, and the man who answers the door attacks him, saying Klein's been around three days in a row. But has he?

Two years earlier, John's wife died from injuries sustained in a car wreck, and before she died, in an apparent delirium, she had been etching weird drawings. Could her drawings have some connection with this town?

Based on true events, The Mothman Prophecies follows John through his search for the truth. People in the town report seeing a strange being - are they lying, or are they misinterpreting? Are they simply seeing UFOs, or is there more to the story? Intrepid reporter that he is, John wants to know more - although of course his thirst for knowledge is accompanied by a need to know what happened to his wife (why did the car crash?).

Thrillers such as this one are hard to come by. It's not exactly a horror movie, but there are more than enough creepy moments to send a few chills reverberating through your body. It's a film that relies less on special effects than on such quaint ideals as character motivation and development and atmosphere. In fact, this movie's just brimming with atmosphere. We've all seen those cheesy movies in which a car runs out of gas along a desolate country road, and then BAM - some serial killers make dinner or belts out of the hapless occupants. But in this case, the monster is hardly ever seen, thereby heightening the scares.

At the centerpiece is Gere as Klein. I've never, ever been a Gere fan; it seems to me he has one expression. He's never been terribly emotive and has been known in recent years more for the age disparity with his female costars than for anything else (they get younger, he stays the same old dude). Call him ruggedly handsome if you will, but vacuity is never really appealing.

But this is not your typical Gere at all. He definitely turns in the best work of his career. Sure, he was appealing in Pretty Woman, but it was Julie Roberts' movie. Officer and a Gentleman? Ok, but that was Lou Gosset Jr.'s movie. Primal Fear? Red Corner? Runaway Bride? No, no, no. This is acting on a ledge for Gere. It's a true departure from the romantic comedies and the sly psuedo-mystery/dramas. Ordinarily, I would think such a movie would expose Gere for the terrible actor he is. But I would be wrong. This movie was so well written and directed that Gere rose to its level, rather than sinking it. That's a huge credit to him as an actor.

Now, I need to differentiate between good acting and appeal. An actor can look good or be charming in a role and still be a bad actor; by contrast, an actor can look uncharming and turn in a great performance. But what's key is how the actor draws the audience in - do they sympathize with his plight? Are they on his side? How good of an actor he is will answer that question.

Gere's Klein starts out as an average joe, and then we get to see him slowly descend into madness - we even descend a little with him. That vaunted atmosphere is so vibrant and realistic that we turn when he turns and feel things he feels. This is an absolute hallmark of excellent filmmaking (by Mark Pellington, whose only other big film was 1999's Arlington Road). The writing is crisp and eminently believable, and the acting in addition to Gere (including Laura Linney, Debra Messing, and Will Patton) is simply superb. And don't forget the prophecies part of the title, either; this "Mothman" entity issues warnings to whomever it deems worthy. Which sounds good, as long as one can interpret them correctly. Apparently, many have not.

The story is based on actual events that took place in Point Pleasant, West Virginia, but this is no Amityville Horror story. With Amityville, one could distance oneself from the experiences of the family involved; we could say that it would never happen to us, it was only a movie. This is a little trickier with The Mothman Prophecies. It's a creepy, tingly movie that gets under your skin and crawls all over your heart.

Reviewed by TOMASBBloodhound 8 / 10

Bad things just happen. We usually can't stop them.

The Mothman Prophecies is a solid thriller. It's supposedly based on true events, but even if it weren't, it would be worth a look. Richard Gere stars as a Washington Post reporter who inexplicably finds himself in a small West Virginia town where a series of strange goings-on have been happening. His wife was killed two years prior in a mysterious car accident, and there seems to be a connection between her death and the strange happenings in Point Pleasant. Holding the key behind the mystery seems to be a large moth-like creature who tends to show up in places where the loss of human life is about to occur. Gere meets up with several locals who claim to have seen the Mothman, and after a while this creature begins communicating with him. The creature warns people of tragedies about to strike (plane crashes, earthquakes), and Gere thinks this creature can even put him in contact with his dead wife. Gere is given a warning about an upcoming tragedy near Point Pleasant, but can he act in time to stop it? Or should he even try? The film is very moody and sullen. The direction and photography are top drawer, and they enhance the mood greatly. The acting is terrific, as well. I usually can't stand Gere, but he's great in this film. Laura Linney would seem miscast as a local cop, but by the end of the film, she will have proved how truly talented she is. Will Patton is outstanding as a local resident who has several run-ins with the Mothman until it drives him crazy.

What exactly is the Mothman? According to this film, he's some type of oracle. He can see bad things that will happen, and he can even see through to the other side. Does he cause these tragedies? The film would seem to argue not. Though he may have caused the fatal car accident that took Gere's wife early on. Apparently the concept of the Mothman has been around for a while, but this film gives a pretty good explanation of it for those of us who had never heard of it before.

The film came up short of its $40 million budget in theaters. I blame this on a terrible marketing campaign, and some bad reviews from the big name critics. Don't let their reviews scare you away. This film is very good. I was hooked after seeing only a couple minutes of it. It was the very effective scene where Gere and Patton first meet up at his home one evening. That was well done! Be warned, however. The film will likely leave you feeling very mortal, and maybe even depressed. There is a really cool new-age rock song during the credits that also adds to the mood.

Consider this film a thinking man's Final Destination. The climactic scene at the end could have even wandered in from one of those movies. The Mothman Prophecies is worth about 8 of 10 stars.

The Hound.

Reviewed by bdeyes81 10 / 10

Horror Fans: It's What We've Been Waiting For!

I just got back from the first showing of the first day of release of The Mothman Prophecies, and I am left with only four short words:

Go see it. NOW!

Simply put, The Mothman Prophecies is the scariest horror movie since RING, Since many Americans won't be able to see RING for quite some time, they should consider tasting another slice of the terror pie with "Mothman". It's already a strong candidate for best horror film of 2002...and even as a hardcore genre fan, I'd have to put it on my list of favorite horror movies of all time.

I had been fascinated by the Mothman myth since 1995, when I first read of its existence in a book of legends and folklore. Since then, I've often thought about making a horror film based on the story. And as you might guess, some one clearly beat me to the punch! The film takes some bizarre, allegedly true events that occurred in the mid-60s in Point Pleasant, West Viriginia and updates the strange phenomena to present day using a somewhat fictionalized story.

Richard Gere plays John Klein (a character that I assume is based on real life author John Keel), a Washington Post reporter whose wife dies of a brain tumor shortly after a bizarre, seemingly unexplainable car accident. After she dies, he finds pictures she drew during her final days, pictures of a bizarre looking winged creature with glowing red eyes.

Flash forward two years. Klein is on his way to meet the governor of Virginia, when his car breaks down. He goes to get help (I won't reveal the creepy details of this sequence) and learns that he is nowhere near his destination. Rather, in the space of 90 minutes he has somehow managed to travel 400 miles to Point Pleasant, West Virginia. There he encounters Sgt. Connie Parker (played by Laura Linney), who tells him of the many strange going ons in the town...specifically, the accounts of a bizarre creature from witnesses who are by all accounts reputable. She shows him a sketch that one witness drew of the creature, and it is nearly identical to the bizarre drawings Klein's wife had done before her death.

You can probably guess where the film is headed from this point; in fact, that's part of the beauty. Astute viewers will always be one step ahead of the characters onscreen, and one step behind...The Mothman, or just director Mark Pellington. Each is pretty damn good at scaring people.

Pellington his his second feature, Arlington Road, a top notch thriller along the lines of Rosemary's Baby. Here he goes for a more Twilight Zone approach, with the "did it really happen?" factor of films like The Amityville Horror, Snuff, and Cannibal Holocaust thrown in for very, very good measure. Pellington has been gaining quite a bit of critical attention for this film, and rightfully so. If he keeps up, one can see Mark Pellington, Victor Salva, and Alejandro Amenbar doing for the horror/thriller genre what John Carpenter, Wes Craven, and Dario Argento did for it in the 70s.

Some critics have been apt to attack the film for its reliance on classic horror movie conventions...as if this is a bad thing. It's quite ironic, considering that it is the film's good old fashioned sensibility that makes the proceedings so overwhelmingly effective. It does not rely on cheap scares, post-PC "gore", or loud sound effects to jolt its audience. The film's power is rooted in its fundamentally chilling story, and taken to another level thanks to Pellington's assured direction. He never condescends to the audience, and he never goes for anything less than the extreme. He knows how to push audiences to the edge of their seat...and fortunately for horror fans, he does not know when to stop. Hitch would certainly be proud.

Yet the best element of The Mothman Prophecies is that, like the films of Hitchock, it is intended for its audience, and continues to engage them long after rolling the end credits. The film has a wonderfully self-reflective structure, and a haunting ending (Owen Gleiberman's comparison of this film to Nicholas Roeg's Don't Look Now is much deserved). However, many questions are left unanswered. Many plot threads still hang. Like Bob Clark's unnerving Black Christmas, The Mothman Prophecies does not provide the closure that most mainstream audiences would demand. The audience is forced to think about the film, and what it means, long after it's over. Mark Pellington insures that the Mothman's glowing red eyes will indeed stay fixed in our brains alongside the film's other haunting imagery. So remember, grown ups and young people alike....sleep with the light on.

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