The Last Airbender

2010

Adventure / Family / Fantasy

The Last Airbender (2010) download yts

Synopsis


Added By: Kaiac
Downloaded 142,805 times
June 30, 2016 at 10:08 AM

Cast

Nicola Peltz as Katara
M. Night Shyamalan as Firebender at Earth Prison Camp
Nicola Peltz as Katara
3D 720p
1.40 GB
1920*1080
PG
23.976 fps
1hr 43 min
P/S Unknown
750.65 MB
1280*720
PG
23.976 fps
1hr 43 min
P/S Unknown

Movie Reviews

Reviewed by festizio13 1 / 10

Massive Disappointment. Just Terrible.

I went to see the Midnight showing of The Last Airbender tonight. I am a huge fan of the series and had been awaiting this movie for months. I understood that this was to be a children's movie, but the series was for children as well and I loved that. What could go wrong? This movie was a cinematic abomination. The entire movie, which covers the first "Book" of the series is rushed together and jumps around in a totally nonsensical manner. There is absolutely NO time spent on characterization. None of the characters had any depth at all and may as well have been cardboard cutouts. Major plot points are summarized through narration or montage and the film would leave any person not familiar with the story absolutely dumbfounded. With all of my heart I discourage you from seeing this movie. Go see Karate Kid. Go see Killers. Go see (I cannot believe I am saying this) Eclipse. Just stay away from this movie.

Reviewed by mckee-783-621192 1 / 10

An 8 year old's assessment

I would like to share my son's review. He just turned 8 and dictated as his dad typed:

I just hate it so bad!!!

I'm a HUGE fan of the the cartoons. I have the whole series, including Water, Earth and Fire.

It was a HUGE disappointment because even by the time I saw the commercial, I knew it would be completely crushing!

I mean, the characters! Iroh was the greatest disappointment. He was not kind and wise enough. And also he was not old enough.

And why can't they say anyone's name right!???

I thought it was completely disrespectful to put the characters skin colors the opposite.

After the first twenty minutes of it I was bored already but I have to say the effects were decent.

And the Avatar did not have enough happiness in him! I think it's important to the movie. Aang is the main character of the movie, and he should at least get a little more happiness inside of him!

When I got home that night I had to watch the cartoon series for some time to completely forget about the movie!

And... actually, I'm watching it right now!

If anybody wanted to see this movie I would suggest they close their eyes and ears!!!

*********************

Dad's two cents:

My son became interested in Avatar the Last Air Bender, the animated series at age 4.

I bought him the entire series on DVD as soon as the episodes were available and he and I devoured every episode, again and again.

Compared to the magnificently crafted animated series, I'd have to say the live action movie was an abysmal embarrassment, a sophomoric and vapid display of ignorance.

Go rent or buy the animated series instead. I think it's some of the best fiction ever written for children. It's incredible. It's an epic parable dealing with sophisticated philosophical, cultural, emotional and spiritual issues which have plagued human civilization since the emergence of reason. And it does it with lightheartedness and joy. The theme deals with no less than issues of greed, power, spirituality, and the formation of identity and moral values. It grapples with the ideals of pacifism. It teaches teamwork, compassion, empathy and humility. It exemplifies wisdom and the appreciation of art, nature and connectedness - connectedness to each other, to nature, to animals, to the universe, and emphasizes detachment from possession. The story line traverses goofy playfulness, tween and young teen crushes and love, family power dynamics, friendship, mental illness, and gut wrenching loss. And it's an incredible primer for Eastern spiritual ideals and mythology.

But these things can't be achieved effectively without superb craftsmanship. So beautifully wrought is this story that the fun, action and struggles are adeptly punctuated with moving poignancy.

The live action version is NONE of these things. No insight, no depth of character, only the most cursory references of some of the core thematic values of the animated series, and those done so poorly as to come off as just... pathetically trite.

The thing I find most upsetting regarding the failure of this movie to deliver is that the original animated series covers all of what I find to be the best of Eastern culture, and we Westerners need to understand these things in this global community. Buddhist and Confucian ideals and philosophies are front and center and, in my mind, are the greatest gifts the East has to offer the world, and the very things that are most clearly in danger of vanishing in the face of the West's insignificant obsession with material gain and conspicuous consumption.

And another thing, too. It's typical that this story was handled on the level it was - dismissively. Adults appear to be largely disinterested in the profound turmoil in which children are engaged as they enter their teens. They are forming their value systems, they are trying to reconcile reality with fantasy and desire. They are trying to find the balance between selfishness and empathy. They are finding what it means to be themselves, members of a community, and a species on the planet. They are in agony grappling with issues we were happy to leave behind. But these struggles are never truly resolved, and our ideas of who we are and how we fit in the world cannot remain fixed, and, yet, when they are challenged, we adults consider ourselves to be in a state of crisis, when that is the perpetual state of being of a young teen. And I would argue it's a state of flux that we should never leave, that we should always be questioning ourselves, our figures of authority, and our place in the world and in relation to those around us. I do not see these struggles as juvenile, but human, and the animated series brings all these struggles to mind. Sadly, the movie did little to bring the richness of these struggles to life.

In my most critical mood, I would say this failure is deeply offensive to my sensibilities as a human being.

But on the other hand, not everyone has the depth of vision and creative genius to pull off what admittedly would be a very challenging feat. I just wish I could see what David Lean could have done with this story.

Reviewed by MovieManPat 1 / 10

The most inept film-making I have seen in years

The only thing I can really say about The Last Airbender is this: Epic Fail. Just how epic? Paramount Pictures gave M. Night Shyamalan $150 million dollars to adapt the popular Nickolodeon cartoon for the big screen. What they got is an absolute mess of a movie, complete with poor acting, the most hackneyed script ever, and a last-minute conversion to 3-D that only serves to destroys what was possibly some lush cinematography.
The Last Airbender is perhaps the worst film of the summer, a feat I thought Jonah Hex had locked down. However, Airbender makes a determined effort. Let me put it this way, as good as Toy Story 3 was, Airbender is just as bad. It was hard to find anything wrong with Toy Story 3. It is nigh impossible to find anything right with Airbender.
The story is ridiculously complex. In a world where people can manipulate (bend) the four elements of air, earth, fire and water, depending on their tribal affiliation, there exists a being (the Avatar) who can manipulate all four. This person is also the sole being capable of communing the the "spirit world" which serves to keep things in balance. This being went missing 100 years ago, only to be found in a giant ice sphere by two children of the water tribe. In the 100 years the Avatar has been gone, the Fire tribe has begun conquering the others, though we're never really told why. The disgraced Prince Zuko(Dev Patel, the Slumdog Millionaire himself) of the Fire tribe wants to the Avatar so he can return to his family. The Water children need to save the Avatar to ensure the Fire people don't win. For this point on it becomes to silly to try and summarize.
Shyamalan succumbs to his own hubris, loading the film with long, boring exposition communicated through long, boring speeches that I'm sure were meant to be inspirational. Instead they are cliched, burdensome mounds of words that only slow down an already languidly paced film. He heaps some unnecessary narration on top of the exposition, condescending to the audience as he does it. Perhaps the narration was put in to help the film's target audience, the prepubescent b0ys and girls who watch the cartoon, understand where this convoluted story is going. Sadly, it doesn't. The dialogue is so corny, it left me squirming a little. Also bothersome is the ham-fisted way Shyamalan expounded his themes, which seem to be responsibility, responsibility, and the horror of industry destroying nature (lifted with little change from the Lord of the Rings). Seriously, the Fire people sail their world's oceans in giant steel yachts that feature gigantic smokestacks over visible flame. These stacks spew out a never ending cloud of dark, ashy smoke. The metaphor could not be more clear had it just been printed as a subtitle across the screen.
The acting is bad across the board. The child cast as Aan, the Avatar, Noah Ringer, a wooden child actor if there ever was one. He speaks his lines as if reciting them of a cue card just off screen. The two Water tribe children, Katara (Nicola Peltz) and Sokka (Jackson Rathbone) are no better. A colleague of mine I saw the film with noted that Rathbone seemed downright anxious every time he was on screen, delivering his lines tersely, with little emotion. The older actors just phone it in. The usually reliable Cliff Curtis looks bored stiff as the leader of the Fire people, while the main antagonist, a Fire general played by Aasif Mandvi, is neither menacing nor scary. He comes off as a schoolyard bully, all bluster and no balls. The only actor I found brought any sort of depth to his role was Shaun Toub (Yinsen from Iron Man). Playing Prince Zuko's Uncle Iroh, he's conflicted between his duty to the prince and his beliefs in the spirit world, something the Fire people have come to consider children's superstition.
Perhaps the most egregious error of the movie is the 3-D conversion. 3-D tends to suck all the light out of the images it portends to display, leaving viewers with a murky picture where shadow and light blend together. There are no crisp lines in the film, no real detail. Which is a shame, as the film's setting should've been its biggest strength. The movie travels from an arctic campsite, where the whites should have popped against the bluish hues of the ice and water around it. When it travels to warmer climates, the greens and browns should have been awe-inspiring. It's not. It all looks faded. Much as with Clash of the Titans, the 3-D is barely noticeable throughout the film, and contributes nothing. I fear that Hollywood has cynically latched onto this fad for the high ticket price it commands rather than for any real artistic merit. My only relief was the movie was short, so I didn't get the usual headache 3-D movies tend to give me.
I didn't expect much going into The Last Airbender. However, I didn't expect it to be quite so bad. It's like watching a train wreck unfold over 94 minutes. The problem is, that 94 minutes feels like an eternity. The end of the film hints at a sequel. I hope some divine being takes mercy on us all and never lets that happen.

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