Straw Dogs

2011

Drama / Horror / Thriller

Straw Dogs (2011) download yts

128

Rotten Tomatoes Critics - Rotten 41%
Rotten Tomatoes Audience - Spilled 34%
IMDb Rating 5.8 10 26799  

Synopsis


Added By: Kaiac
Downloaded 24,248 times
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Director

Cast

Willa Holland as Janice Heddon
Kate Bosworth as Amy Sumner
James Marsden as David Sumner
720p
713.21 MB
1280*720
R
23.976 fps
1hr 50 min
P/S Unknown

Movie Reviews

Reviewed by garywhitehead07 8 / 10

If you're going to remake a nearly perfect movie, don't botch it!

After reading the reviews of this film and seeing the original, I wasn't really looking forward to watching this movie but glad I did

I suggest to ignore all previous bad reviews & not to compare with the original 1971 film I thought this was a well made movie, with a good cast. The story line is similar to the original but in my opinion better but just bought in to the 21st century.

Acting was very good, very surprised & quite annoyed at some of the comments

I enjoy watching many movies & have to say this has been one of the better movies I have watched recently.

Watch it with an open mind Enjoy as I did. Very good movie

Reviewed by David Ferguson 6 / 10

What are You Capable of?

Greetings again from the darkness. If you have seen Sam Peckinpah's classic 1971 original with Dustin Hoffman and Susan George, it is impossible to watch this remake without comparing the two films. Because of that, these comments will include some comparative notes. After all, it's been 40 years and most people watching this new version have never seen the original.

Director Rod Lurie follows the Peckinpah version pretty closely with the obvious changes being a move from the English countryside to the deep south (Mississippi), and the main characters are now a screenwriter and actress instead of mathematical whiz and ... well, whatever Susan George's character was in the original. Those are the obvious changes, but not the most significant. I really missed the subtlety and psychological trickery delivered by Peckinpah, especially in the relationship between David and Amy.

Lurie chooses to take advantage of the physical screen presence of Alexander Skarsgard (True Blood) as Charlie, the local stud and Amy's ex. Charlie's past exploits on the football field and his creepy leadership skills with his posse of thugs, provide the yin of physical strength to the yang of David's intelligence. It's interesting to note that this version spells out Sun-Tzu's description of "straw dogs" while Peckinpah left his audience to fend for themselves. But, of course, what this boils down to is just how far can a civilized person be pushed ... and how far is the bully willing to go?

James Woods is a welcome and terrifying addition to the new version. Since it is based in the small town south, high school football must play a role. Woods is the former high school coach who is now a violent drunk, and still leader of his former players. He is a sadistic type who picks on Jeremy Niles (Dominic Purcell), the slow-witted brother of Daniel (Walton Goggins) and constantly accuses him of inappropriate behavior with his 15 year old cheerleader daughter.

James Marsden (Hairspray) and Kate Bosworth (Remember the Titans) play David and Amy. They come back to Amy's childhood home so she can rest and David can have some peace and quiet while writing his screenplay on the Battle of Stalingrad. Well, we couldn't really have him writing a rom-com, could we? From Day One, the peace and quiet is clearly missing and Lynyrd Skynyrd wins out over Bach in the battle of radio volume. Tension builds and David is tested daily over what it means to be a man ... tested by the local hicks and doubted by his lovely wife.

Things turn from bad to worse when the locals invite David to go hunting with them. What happens with Charlie and Amy during this time changes everything. This sequence was the key to the controversy of the original and what caused it to be banned in many cities and countries. Lurie chooses to handle it in a very straightforward manner - plus, times and mores have changed quite a bit in the last 40 years.

For me, the Peckinpah original remains a classic film with brilliant psychological undertones which left me feeling very uncomfortable and questioning what I might do in this situation. Lurie's new version offered little of that but does work fine as a straightforward suspenseful thriller.

Reviewed by GoneWithTheTwins 5 / 10

The ambiguity and subtleties within every character's actions have been replaced with spoon-fed notions of right and wrong.

It's a testament to the power of Straw Dogs' story (Sam Peckinpah's adaptation of Gordon Williams' novel) that the 2011 remake is still entertaining despite its numerous shortcomings in both complexity and artistry to its predecessor. Director Rod Lurie's retelling trades conflicted characters and intricate ideals of bravery and cowardice with plain-dealing motives and basic revenge; Peckinpah's flair for operatic visuals is sadly absent. So too is the contemplative nature of the whole affair – the ambiguity and subtleties within every character's actions have been replaced with spoon-fed notions of right and wrong. It's impossible to avoid comparison to the original film, and doing so would be a disservice to the discerning viewer. Those that loved Peckinpah's creation will likely find little value in Lurie's version, but for those who haven't seen it, the remake does offer a humble taste of the brilliance you're missing out on.

Screenwriter David Sumner (James Marsden) and his wife Amy (Kate Bosworth) move to her old hometown of Blackwater, Mississippi with the hopes of peace and quiet so he can write his newest script. When Amy's former boyfriend Charlie (Alexander Skarsgard) and his buddies Bic (Drew Powell), Chris (Billy Lush), and Norman (Rhys Coiro) are hired to repair the Sumners' garage, the bullying of David and unwelcome advances toward Amy begin. As the taunts and threats steadily escalate to a horrific act of violence, David must take a stand and defend his new home with an equal force of savagery.

Everything questionable, objectionable and controversial about the original Straw Dogs has been finely filtered out, leaving a straightforward, simple revenge story. None of the artistic violence, symbolic editing or jarring music remains. This update goes so far as to spell out the significance of the title, as well as adding the line "maybe you should wear a bra," which drastically dumbs down the purpose of Amy's appearance. If it weren't for the fact that the target audience is likely to have no knowledge of the 1971 version's existence, this level of defining, dulling and allaying disputatious content would be insulting. Extra references to the predominant themes, such as the inclusion of research on Stalingrad, further add to the intellectual affront.

Minor details have changed but the basic ideas are still present. Some of the original dialogue is reused (including snippet jokes that are no longer relevant), several scenes are nearly identical, a few props reappear, and even a couple of camera angles pay homage to Sam Peckinpah's vision. The competition, power struggle, vigilantism, Of Mice and Men subplot, conflict with religion, psychological breaking point examination and underdog vengeance aren't forgotten, however, and it's hard not to admire the cathartic power of the hero rising to the occasion and giving the villains what they so desperately deserve. It's essentially a two-hour, disturbing, suspenseful build to an explosive conclusion – one that abruptly stops when the last antagonist has fallen. But it's also difficult for Marsden to compete with Hoffman and for director/screenwriter Rod Lurie to match the originality and creativity of Peckinpah's turbulent classic.

- The Massie Twins (GoneWithTheTwins.com)

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