Spotlight

2015

Biography / Drama

Spotlight (2015) download yts

Synopsis


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Director

Cast

Rachel McAdams as Sacha Pfeiffer
Mark Ruffalo as Mike Rezendes
Stanley Tucci as Mitchell Garabedian
Liev Schreiber as Marty Baron
720p 1080p
942.39 MB
1280*720
R
23.976 fps
2hr 8 min
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1.96 GB
1920*1080
R
23.976 fps
2hr 8 min
P/S Unknown

Movie Reviews

Reviewed by Clayton Davis 10 / 10

Flat Out Remarkable! Possibly the Year's Best!

Seconds after the credits for Tom McCarthy's "Spotlight" roll, an overwhelming feeling of changing your career takes over. Is film criticism really where I belong? What important, life-changing story am I not writing about? Truth is, quite a bit of classic films give off that same feeling. "Rocky" made a bunch of our fathers and older brothers go for a morning run and drink raw eggs. "Rudy" made us want to go out and play Notre Dame football. "Spotlight" makes you want to go down to your local courthouse and search the public records for clues. Then, get on the phone, with a pen and a pad, and start asking some really tough questions. Honestly speaking, "Spotlight" is the best investigative news drama this century. Matter of fact, behind "All the President's Men" and maybe "The Insider," it's among the best ever made.

"Spotlight" tells the true story of how the Boston Globe uncovered the massive scandal of child molestation and cover-up within the local Catholic Archdiocese, shaking the entire Catholic Church to its core.

Where you must begin, with any praise for the film, is the audacious and fortifying script by Tom McCarthy and Josh Singer. The two create cinematic magic in their articulation of words, characters, and narrative storytelling. Each person feels authentic. Each scene feels rich and equally important as the last. And most of all, its the tightest, most satisfying film from beginning to end, seen this year. From minute one, you're hooked, up until the last second, where they decide the last words spoken should be, "Spotlight" is astonishingly crafted.

I'm still in shock and awe that Tom McCarthy is the one who made this. This is a writer/director who I've appreciated but didn't have the "love" factor surrounding any of his films. Paired with an outstanding cast, co-writer Josh Singer, editor Tom McArdle, cinematographer Masanobu Takayanagi and composer Howard Shore, Tom McCarthy gets a chance to create his masterpiece…and succeeds. He makes brilliant artistic choices, such as letting a Mark Ruffalo letter reading play over a 2-minute taxi car ride back to the newspaper. McCarthy's direction is one of the best directorial efforts from any filmmaker this year thus far.

All the players performing are top-notch but walking away, best-in- show, is the performance of Academy Award nominee Mark Ruffalo. Ruffalo exhibits his best screen performance to date, and makes a stake in his claim for the Oscar this year. Weirdly reminiscent of Joaquin Phoenix's work in "The Master," Ruffalo builds his 'Mike' from the feet up, giving him his own characteristics that I'm not sure McCarthy and Singer set out to do. His expressions in words, mannerisms, all encapsulate the magnitude of his work, bookended by an explosive scene that brought tears to my eyes. Think back to Emma Stone's acclaimed work in "Birdman," and the scene that made everyone notice. I wanted to simply applaud.

Michael Keaton and Rachel McAdams, who play "Robbie" and "Sacha" respectively, are attune with their characters and destinations. Each bring strong sensibilities and sensitivity to their roles that desperately call for them. Hotly worked into the story is Liev Schreiber as a newly appointed Editor, that in the little screen time he's given, makes a long-lasting impression. Stanley Tucci is also afforded the same opportunity, and gives one of the film's best monologues.

If there's a film this year that feels like an Oscar-winner, "Spotlight" sure does make a compelling case. Dramatic, heart- pounding, and necessarily made. It's one of the most important films this year and probably THE BEST PICTURE OF THE YEAR. The Telluride tradition may continue.

Reviewed by bostonwera 10 / 10

An Oscar Winner Film That Has Been Banned In All Arabian Countries.

In 2001, editor Marty Baron of The Boston Globe assigns a team of journalists to investigate allegations against John Geoghan, an unfrocked priest accused of molesting more than 80 boys. Led by editor Walter "Robby" Robinson (Michael Keaton), reporters Michael Rezendes (Mark Ruffalo), Matt Carroll and Sacha Pfeiffer interview victims and try to unseal sensitive documents. The reporters make it their mission to provide proof of a cover-up of sexual abuse within the Roman Catholic Church.

This is a great movie with real facts exposing the illicit incest and sexual abuse committed by Catholic priests against innocent children.

There is no explicit sex on this movie,it is Rated R for the pedophilia topic.

Yesterday this excellent movie won the Oscar for best movie of the year.

This movie has been banned in all Arabian countries where sex,gay and lesbian sex,pedophilia secretly happens in Arabian Countries.

Reviewed by HealthyLove 10 / 10

Priests Secretly Committing Pederasty. An Award Winner Reality Movie.

Spotlight is a 2015 American biographical drama film directed by Tom McCarthy and written by McCarthy and Josh Singer. The film follows The Boston Globe's "Spotlight" team, the oldest continuously operating newspaper investigative unit in the United States, and its investigation into cases of widespread and systemic child sex abuse in the Boston area by numerous Roman Catholic priests. It is based on a series of stories by the real Spotlight Team that earned The Globe the 2003 Pulitzer Prize for Public Service. The film stars Mark Ruffalo, Michael Keaton, Rachel McAdams, John Slattery, Stanley Tucci, Brian d'Arcy James, Liev Schreiber, and Billy Crudup.

Spotlight was shown in the Out of Competition section of the 72nd Venice International Film Festival. It was also shown at the Telluride Film Festival and the Special Presentations section of the 2015 Toronto International Film Festival. The film was released on November 6, 2015, by Open Road Films. It won numerous guilds and critics' association awards, and was named one of the finest films of 2015 by various publications. It is nominated for six Academy Awards including Best Film Editing, Best Supporting Actor: Mark Ruffalo, Best Supporting Actress: Rachel McAdams, Best Original Screenplay, Best Director, and Best Picture.

In 2001, The Boston Globe hires a new editor, Marty Baron. Baron meets Walter "Robby" Robinson, the editor of the Spotlight team, a small group of journalists writing investigative articles that take months to research and publish. After Baron reads a Globe column about a lawyer, Mitchell Garabedian, who says that Cardinal Law (the Archbishop of Boston) knew that the priest John Geoghan was sexually abusing children and did nothing to stop him, he urges the Spotlight team to investigate. Journalist Michael Rezendes contacts Garabedian, who initially declines interview. Though he is told not to, Rezendes reveals that he is on the Spotlight team, persuading Garabedian to talk.

Initially believing that they are following the story of one priest who was moved around several times, the Spotlight team begin to uncover a pattern of sexual abuse of children by Catholic priests in Massachusetts, and an ongoing cover-up by the Boston Archdiocese. Through a man who heads a victim's rights organization, they widen their search to thirteen priests. They learn through an ex-priest who worked trying to rehabilitate pedophile priests that there should be approximately ninety abusive priests in Boston. Through their research, they develop a list of eighty-seven names, and begin to find their victims to back up their suspicions. When the September 11 attacks occur, the team is forced to deprioritize the story. They regain momentum when Rezendes learns from Garabedian that there are publicly available documents that confirm Cardinal Law was aware of the problem and ignored it. After The Boston Globe wins a case to have even more legal documents unsealed, the Spotlight Team finally begins to write the story, and plan to publish their findings in early 2002.

As they are about to go to print, Robinson confesses to the team that he was sent a list of twenty pedophile priests in 1993 in a story he never followed up on. Baron, nevertheless, tells Robinson and the team that the work they are doing is important. The story goes to print with a link leading to the documents that expose Cardinal Law, and a phone number requesting victims of pedophile priests to come forward. The following morning, the Spotlight team is inundated with phone calls from victims coming forward to tell their stories. The film closes with a list of places in the United States and around the world where the Catholic Church has been involved in concealing abuse by priests.

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