Side by Side

2012

Documentary

Side by Side (2012) download yts

Synopsis


Added By: Kaiac
Downloaded 138,044 times
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Cast

Keanu Reeves as Himself
Martin Scorsese as Himself
James Cameron as Himself
David Fincher as Himself
720p 1080p
1.20 GB
1280*720
NOT RATED
23.976 fps
1hr 39 min
P/S Unknown
1.89 GB
1920*1080
NOT RATED
23.976 fps
1hr 39 min
P/S Unknown

Movie Reviews

Reviewed by taifunu 10 / 10

It's an ode to cinema,

this film is. It's about marking a turning point in the history of cinema and raising awareness about it. Yes, it's a subject that's been discussed and bitched about for what, 10 years now, ever since Lucas proclaimed that film is dead. But maybe for the first time it brings all the opposite opinions together. Side by side. (Loved the editing - it was just like watching a tennis match) And for people like myself, 'civilian' moviegoers who while watching a movie often found themselves forgetting about the popcorn and instead wondering 'how it's made?', this film is like Christmas in June :) I mean, I've read a bit about film making; I've come across some of the terms and looked up their definition; I knew what a DP does; I've scratched a bit the surface of the whole wide world of movie making. But to have the main processes explained clearly, precisely and in a language I could understand, all this in a one-and-a-half hour film, was like... like attending film school but without the (almost always compulsory) elitism and snobbery ;) :D

And watching the documentary at a film festival was a special experience per se. It was shown in a small old-fashioned theater, with creaking seats and wood floors and velvet curtains and no air conditioning; and old theater where once I used to go watch old cinematheque movies in black-and-white. There was a bitter-sweet irony about it. The audience was formed mainly by film festival guests and film students; people with technical background in movie making, and a few lost souls like myself, who just wanted to watch the documentary we read so much about. And it was a joy to see them react to the technical jokes; to hear a few of them hoot when on the screen someone was talking about the operator and the DP losing their god-like status on the set, or to hear them snicker when Cameron rhetorically asks Reeves 'you've been on a few sets in your life, haven't you?'

It's a film about nostalgia and inevitability, with a very light note of sadness.

But this was just the first date, and I'm quite taken with the film, so I'd really like to get to know it better. You know, take it on a second date, then a third. I'll take it to the movies, the old-fashioned way ;) I'll wine it, dine it, maybe even take it on the obligatory weekend to Paris. It could be the beginning of a long lasting relationship. So, when is the DVD gonna be released ? ;) :)

Reviewed by DICK STEEL 10 / 10

A Nutshell Review: Side by Side

Film is dead, or is it? With major distributors in USA going digital this year in lieu of film, the death knell has been sounded that perhaps it's not too long before celluloid film projection is a thing of the past, and with it comes digital filmmaking, production, distribution and projection. But does it have to be that way, and can both mediums co-exist to satisfy the various sections of the creative market? Produced by Justin Szlasa and Keanu Reeves, the latter who was here in Hong Kong for a masterclass, Side by Side is the documentary written and directed by Christopher Kenneally, that deep dives into both sides of the equation.

And who better than to interview those who have dabbled with both mediums? What made this documentary a compelling watch is Keanneally's ability to cover an entire range of topics related to this issue, tracing the history of both mediums, especially the digital one, and giving depth into backgrounds, reasons and rationale taken from those who have dealt with both old and new technologies. Having Keanu Reeves turn into the interviewer works in both levels of attracting the casual viewer into watching this, as well as on the interview front, made it easy for filmmakers to relate and open up to one of their own, as they talk about the medium, how it impacts filmmaking, and from acting in front of the camera, the camera technologies themselves, and the case for distribution and exhibition, weighing in on the pros and cons at every stage.

These filmmakers are none other than the who's who of Hollywood luminaries, such as James Cameron, George Lucas, Martin Scorsese, David Fincher, Robert Rodriguez, Christopher Nolan, Danny Boyle, Richard Linklaer, David Lynch, Joel Schumacher, Steven Soderbergh, Lars von Trier, and both Lana and Andy Wachowski whom Keanu Reeves made the prolific Matrix trilogy. And it's not just directors, but also containing interviews with editors and cinematographers such as one of my personal favourites Wally Pfister, who together with Nolan stand on the side of celluloid, famously resisting Warner Bros' attempt to turn their lucrative Dark Knight projects into the digital or 3D formats.

While one may get distracted by the star studded lineup, we get to see how each are so passionate about the medium they believe in, and the compelling arguments they make for and against their case, listening from the horse's mouth of those who are in the industry, together with the satisfaction gained and challenges they face. For instance, like Fincher, digital filmmaking gave rise to cameras that can be designed to cater to the nature of the shots he had intended, without which films like The Social Network, or The Girl With the Dragon Tattoo, cannot achieve certain shots or have the camera angles so desired. Everyone provided their own memorable soundbites when they engage in this discourse, so much so that you'd soon find everything that's being said becoming terribly sexy and seductive in their arguments.

But Conneally does an excellent job in not allowing any one filmmaker to run away with the presentation he so decided, allowing arguments to be made and the viewer to form his own conclusion. The pace moves at breakneck speed, hardly every pausing just like how digital filmmaking has directors almost never calling it quits because the medium has run out, as you the audience will definitely find an area in which you have little knowledge of, but thanks to this film and its incredible breadth adopted for its scope, you're bound to come out of it a little bit enlightened about the entire technical process, the evolution of filmmaking technologies, as well as gain new found appreciation for those who are so passionate in their filmmaking that it's automatically shown in the final cut they put out for projection.

No film related topic was taboo, as the documentary also took a look at archival processes, which contains a little bit of an irony. If there's a flaw to this wonderfully made documentary, it will be that its focus is still inherently Hollywood's own, since there is a distinct lack of interviews and gathering of content outside of Tinseltown. Perhaps an apt follow up to this would warrant a lot more interviews to be done with filmmakers around the world, but I'm guessing most of the responses will already have been covered by the mammoth scope here (and whose filmmakers are at the forefront of technology given geeks like Cameron), and at best appear as supplemental discs should this ever be released on DVD format sometime soon. Definitely highly recommended viewing for everyone, film buffs or otherwise, with great material yet to be seen in upcoming films included as well.

Reviewed by Chrispy_G 10 / 10

A Fantastic Examination on the Transitional Period of Present Day Cinema

Cinema is in a state of transition. Film is slowly but surely being replaced and supplanted by Digital techniques. This is a rare gem of documenting because it has been made right in the heart of the transition.

Could you imagine if a documentary featuring major filmmakers had been made during the transition from black and white to color? This is essentially the modern iteration of that concept.

This film chronicles how digital filming and editing techniques have developed over the last two decades or so and have evolved from being a niche, low quality choice into a much more cost-effective, dynamic and comparable alternative to doing the same work on film.

Side By Side will only become more valued as the years go by. One day sooner rather than later film will be gone and everything will be digital. This will be regarded as more of a historical document than a film. It is a snapshot of the state of the industry as it makes the biggest transition it has ever gone through.

This is a true testament to the exponential times we live in and should not be missed by any cinema lover.

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