Memoirs of a Geisha

2005

Drama / Romance

Memoirs of a Geisha (2005) download yts

Synopsis


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Director

Cast

Cary-Hiroyuki Tagawa as The Baron
Ziyi Zhang as Sayuri
Michelle Yeoh as Mameha
720p 1080p
1.00 GB
1280*720
PG-13
23.976 fps
2hr 25 min
P/S Unknown
2.00 GB
1920*1080
PG-13
23.976 fps
2hr 25 min
P/S Unknown

Movie Reviews

Reviewed by kate_lee-movie 6 / 10

A Top-Notch Eye Candy

Can a group of American men and Chinese actresses render the world of a Japanese geisha? The answer is yes, with stunning beauty … and regrettable flaws.

Truth be told, this movie was not as bad as its trailer led me to expect it to be. It had a story to tell (although it crumbles in the end),images to show, and material to present. There were ample displays of exquisite beauty -- the trailing tails of silk kimonos, the subtle allure of hand gestures, and the captivating scene of kabuki dance theater ...

On the other hand, the American director was not able to pull the Japanese out of Chinese actresses. (This movie was so crowded by famous Chinese idols that I found myself inadvertently searching for Joan Chen among the cast.) To be fair, all three main actors (Gong Li in particular) show strong performances that made me sympathetic to Rob Marshall's choices. However, they remain utterly Chinese throughout this movie. The look and accent are not the only problems. They lacked the kind of extreme femininity and excessive felicity of the delicately mechanical gesture and movements of traditional Japanese ladies you see in custom dramas of Japanese production. (Michelle Yeoh seems to be the only one trying a little bit of those, but it did not quite work for some reason.)

So, let me re-address the question: Can a group of American men and Chinese actresses render the world of a geisha? The answer, I guess, really depends on what you are looking for. If you would like a little bit of delight from an aesthetically pleasing picture with a dubious authenticity and realism, this movie delivers it. I would not say Rob Marshall failed completely. Memoirs of a Geisha is not the first, nor the last, movie that subjects another culture to the crude lens of American exoticism. It definitely is not the worst one.

Reviewed by Nazimova23 10 / 10

The best film I've seen all year, and I've seen some great films.

This is the most unfairly maligned film of the year. Some critics took it upon themselves to be the defenders of Japanese culture (without fully researching their arguments) and, in the process, betrayed their own racism. "The film is inauthentic because the actresses do not wear matronly bouffants," one said. Riiiiiight. Matronly bouffants are a Western stereotype! But in any case, some of them do and some don't! THAT'S authenticity. I guess critics wouldn't know that writing reviews without seeing the film or walking out long before it's over (some, such as Jeff Wells, do).

Anyway, it's a fantastic film and more than deserving of multiple Academy award nominations - which it may not get thanks to the fact that so many people decided they wanted to use the film as the sacrificial lamb for a half-baked debate about international politics, rather consider that pan-Asian casting for major roles is NOTHING new (it's true of House of Flying Daggers, The Joy Luck Club and even Crouching Tiger) and that this film's production might represent international cooperation at its best.

Look out for Gong Li and Youki Kudoh in RICHLY developed supporting roles. The supporting males, while obviously not as well developed since they spend less time in the geisha quarters, still give incredible performances. Ken Watanabe was excellent, but I particularly enjoyed the performance of the actor playing Nobu. Oprah is right about the sets and costumes; they (amongst other things) make you want to savor every moment of the film. Some people have argued that the brilliant colors make it seem like some sort of Orientalist fantasy. Truth is that this would only be the case if we saw a departure from a more sedate West to a flamboyant East; instead, the film opens in a rather sedate part of Japan and then takes us to the more colorful geisha district (which introduces this fascinating paradox of great suffering in a milieu of tremendous beauty). We know from Chicago that it's simply Rob Marshall's aesthetic to make everything the height of beauty, even if it's a slum. God forbid ENTERTAINMENT CIRCLES should be presented as visually spectacular! The film is by turns funny, moving and, yes, thrilling. Gasps in the audience for the film's third act gave way to sniffles. Ziyi Zhang really managed any language difficulties well; her face has this ripple effect when she's emoting. It's stunning to behold. If I were voting for the Oscars, I'd definitely give her a nomination at the very least. And homegirl can dance, too! Her performance and the film itself are not boring at all; audience members laughed when she was trying to be funny and sighed when she was suffering. IMO, too much happens in the film for it to get boring; there's a strong balance between the rivalries, the details about geisha entertainment and the romance. In the final scene, it all comes full circle. I won't tell you how. See for yourself.

My #1 film of the year. Brokeback Mountain, Chronicles of Narnia, Howl's Moving Castle, King Kong and Grizzly Man aren't far behind.

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