Maggie's Plan


Comedy / Drama / Romance

Maggie’s Plan (2015) download yts


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Travis Fimmel as Guy Childers
Julianne Moore as Georgette
Bill Hader as Tony
Ethan Hawke as John Harding
720p 1080p
719.36 MB
23.976 fps
1hr 38 min
P/S Unknown
1.5 GB
23.976 fps
1hr 38 min
P/S Unknown

Movie Reviews

Reviewed by stinadianne 5 / 10

Ambivalence hurts this comedy.

Maggie's Plan (screened at the 59th San Francisco International Film Festival), along with many indie films like it, uses a more ambivalent tone in regards to a character's reaction to dramatic shifts in their lives. It's a popular approach towards acting these days, but it can sometimes make a film seem like it is mocking a situation that should otherwise be dealt with in a genuine and serious way- even if it is a comedy.

Greta Gerwig plays Maggie, a teacher at a local university. She is single and seeking to have a baby on her own very soon. She begins spending time with John (Ethan Hawke), another teacher, who is married to Georgette (Julianne Moore). Maggie agrees to give John notes on his book that he is writing, and soon the two fall in love. They consummate their relationship the very night Maggie has inseminated herself with sperm from a guy she knew from High School. Three years later John and Maggie are married and have a beautiful three-year-old daughter. However, Maggie is done with John and realizes she doesn't love him anymore, so she hatches a plan to get him to back together with his former wife.

As the film is called Maggie's Plan, it may have been better to only follow her around the whole time. She is a character with a quirky nature in a cast full of overtly strange characters. If the story remained firmly told from her perspective, rather than from others in the film, she may have stood out more, and her motivation might not have been lost. Instead, everyone is just as quirky and just as detached as her, making it hard to become attached to any of them, as none of them feel like they are taking their lives seriously.

Gerwig (Frances Ha) is a good character actress, and she manages to represent what this kind of millennial character is supposed to be according to the world: passionate but passive about their interests. With no genuine moments or emotions. She's like a more idiosyncratic blonde Zooey Deschanel; usually this shtick works for her, but this story is so fraught with what should be pure human emotions that it lessens the impact of the situation.

Julianne Moore's Georgette is an intimidating character. Moore sports a very confusing European accent, the only reason seeming to be that it adds even more quirkiness to the movie. She has an almost militaristic strategy towards raising her and John's children and how she approaches her relationship with John. In one scene, she says Maggie ruined her life by taking her husband, but she is completely passive about it when it comes to her actions. She's the most well adjusted wronged woman in the world. This is an example of how the characters will talk about emotion and love but perform no action to back it up. Ethan Hawke's John is such a clueless man that it's kind of sad. He works and works on this book that he is writing so much so that he doesn't even notice the games the women around him are playing with his life.

There are some truly fun and funny moments in the film, which comes naturally with such a tone. Maggie's interactions with the children are amusing, and she has a few good one- liners in there about the state of relationships. Director Rebecca Miller (The Private Lives of Pippa Lee) may just love this type of film making, which is fine; she is in the same camp as Jim Jarmusch and Yorgos Lanthimos. The ambivalent formula does work for many people, but it seems counter intuitive to make light of love and marriage while also insisting how important it is.

Reviewed by Victoria Weisfeld 7 / 10

The Acting Carries This Rom-Com, Not Quite as Funny as it Could Be

Tons of history and your mom tell you falling for a married man is a chancy way to find happiness and a father for your baby. In this romantic comedy by writer-director Rebecca Miller, the unlikely happens and aspiring novelist John Harding (played by Ethan Hawke) actually divorces his self-absorbed, chilly wife Georgette (Julianne Moore) and marries the girl. They have a lovely baby. A couple of years on, though, the marriage is just not working. That's when Maggie (Greta Gerwig) develops her plan. She'll try to get John and Georgette back together. There are some nice moments and some funny moments, though the comedy is never quite as screwball as it might have been. As a tale of female manipulation, Maggie's efforts don't reach the delicious complexity of Lady Susan Vernon in Love & Friendship, also in theaters now. Lady Susan plows ahead like an ocean liner, let the devil take the hindmost, and that creates a more comic effect than the rather more realistic angsty New Yorkers in Maggie's web. Bill Hader and Maya Rudolph are a prickly married couple, long-time friends of Maggie, stuck to each other like burrs. Mina Sundwall is John And Georgette's teenage daughter, a perfect adolescent cynic. Gerwig gives an engaging performance, Hawke is always interesting, and Julianne Moore shines as the ambitious academic—with a Danish accent, no less. There's a real New York feel to the film, too. Says Christy Lemire in, director Miller "truly gets the city's rhythms and idiosyncracies, and her dialogue frequently sparkles."

Reviewed by CineMuseFilms 7 / 10

a richly satirical, funny and entertaining post-feminist comedy about sex and marriage

The eternal triangle and the romantic comedy have been soulmates forever but how many ways you can tell the same old love story? The era of female empowerment and emotional recycling is upon us, so it is refreshing to see Maggie's Plan (2016) take an old story formula and update it with offbeat humour centred on modern marriage. Contemporary lifestyle choices such as wanting a baby but not a man or handing a used lover back to a former owner are just some of the scenarios played out in this intelligent and delightful rom-rom.

The simple triangular plot pivots on independent-minded Maggie (Greta Gerwig), an over-controller who loves falling in love but cannot keep a relationship longer than six months. Wanting a baby without the strings, she arranges for a sperm donor just as she meets John (Ethan Hawke), an insecure academic who is emasculated by the stellar career of his imperious wife Georgette (Julianne Moore). John's need for constant mothering is no longer fulfilled by the dynamic Georgette, so Maggie and John inevitably pair up and one corner of the triangle disappears. Three years later, Maggie is over the needy John and his permanently incomplete 'great novel' so she hatches a plan to reunite John with Georgette. A clever script laced with tangled textual barbs like "ficto-critical anthropology" (Google it) and one-liners like "nobody unpacks commodity fetishism like you do" are rapid-fire and hilarious send-ups of the pretentious world of academe. It is at this level that the film shines brightest: not with belly laughs or madcap comedy, but through a whimsical lens focused on the world of intelligent people who think they control the ebbs and flows of the uncontrollable.

The acting performances are all top-shelf. Julianne Moore plays the understated dominatrix with a hilarious deadpan Danish accent, and Ethan Hawke is perfect as the hapless male out-powered by the females in his life. The standout performance is Greta Gerwig whose big doe-eyed innocence and naivety about the ways of the world make her scheming utterly forgivable. While the story has a predictable narrative arc, the dialogue is richly satirical, funny and totally female-centered. It is also an entertaining post-feminist comedy about sex and marriage which imagines a future where males are only needed for sperm and are then recycled amongst whoever will tolerate their innate weaknesses.

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