Fiddler on the Roof

1971

Action / Drama / Family / Music / Romance

Fiddler on the Roof (1971) download yts

Synopsis


Added By: Kaiac
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Director

Cast

Topol as Tevye
Norma Crane as Golde
720p 1080p
1.28 GB
1280*720
G
23.976 fps
3hr 1 min
P/S Unknown
2.74 GB
1920*1080
G
23.976 fps
3hr 1 min
P/S Unknown

Movie Reviews

Reviewed by Lola-9 10 / 10

To life, to life, la chayim!

I love "Fiddler on the Roof" so much it's difficult for me to comment on it in a detached way. I just think about it and I'm filled with emotion. (And I'm not the sentimental type!) It honestly depicts what it means to be human. It contains love, faith, family, friendship, humour, violence, hate, prejudice, change, vulnerability, joy, community, anger...everything. This film is a tribute to the Jewish people, but you don't have to be Jewish to enjoy it. It's so rich that everyone can identify with it, and learn from it.

As for the music, all the songs fit in naturally and stand on their own as classics. "Matchmaker, Matchmaker," "Sunrise, Sunset," "If I Were A Rich Man" - need I say more? When Hodel sings "Far From the Home I Love" it's tissue time. They're all so beautiful! If you usually find it hard to take when characters in musicals suddenly burst into song, don't worry, in this film it's so seamless you can't imagine them communicating any other way. The music makes it easier for them to say things they normally wouldn't in conversation.

The characters are so real and down-to-earth. They're strong, hard-working people, who have their priorities straight. I can't write about FOTR without mentioning Tevye - the centre of this whirling story, and a man who, like all of us, struggles with the pace with which his world is changing. He clings to the past, yet accepts what the future may bring. I don't think there is another film out there that addresses how insecure we feel with change. But hey, that's life. "To life, to life, la chayim!!"

Reviewed by Righty-Sock 10 / 10

From a Goy: One of the best films ever made.

'Fiddler on the Roof' is about a humble milkman who schemes to marry off his pleasant daughters according to his family's 'traditions.'

'Fiddler on the Roof' is about a simple villager who insists that without their old traditions, he and the other villagers would find their lives "as shaky as a fiddler on the roof."

'Fiddler on the Roof' is about a firm believer who carries on conversations with God, gently complaining about the afflictions the Almighty had put upon him...

'Fiddler on the Roof' is about a soft-hearted father and his self awakening to a "new tradition" which he experiences with his three eldest daughters whose actions call for reform...

'Fiddler on the Roof' is a powerful statement about the evils of prejudice and the importance of maintaining a warm and communicative family life in the midst of severe oppression...

'Fiddler on the Roof' is about traditional values at a time, like today, when there is confusion over those values...

'Fiddler on the Roof' is about love and fear, devotion and defiance, persecution and poverty, pride and dignity, sorrow and oppression...

'Fiddler on the Roof' takes place in the midst of a hostile and chaotic environment...

'Fiddler on the Roof' could be safely placed in the great tradition of film musicals... The songs evoke happiness and tears... The fiddler's hauntingly beautiful music came from the violin of the world's greatest virtuosos, Isaac Stern... Composer Jerry Bock and lyricist Sheldon Harnick captured the drama and conflict of the story from its incisive opening to, ultimately, the powerfully silent human circle at the very end... Their treatment of the music produced some outstanding hits like 'Tradition.'

'Tradition' is more than a simple musical number... The brilliance of this song is in its ability to introduce the impoverished village and its characters – from the figure of the funny fiddler to the pathos and witty humor of Tevye, to the creaky old rabbi, to the bright-eyed matchmaker, to the sharp-tongued Golde, to the indecisive tailor, to the audacious revolutionary, to the enthusiastic butcher, to the Constable who brings that terrible order – It is the solid center of the film.. Yet one by one, the traditions that the very poor dairyman of Anatevka and his people have cherished and lived are broken during the course of the film, as marriage are no longer arranged by the 'papa,' as men and women dance together in a public place, and, most grievous of all, as children marry out of their faith... The shattering of these traditions becomes even more intolerable to Tevye in the shadow of other dangerous forces which threaten to destroy the very life he is trying to preserve...

Under Norman Jewison's direction, the entire cast delivers a depth performance and a spectacular energy that brought smiles and tears to the audience... Few musical characters are so fully realized or so deeply engaging...

Topol warms hearts and evokes laughter with his deep humanity, wisdom and humor... He brings his own magnetism and appropriate world-weariness to the role... With his raspy voice, virile appearance, and alternating expressions of compassion and implacability, he reveals his thoughts to the audience, always quoting "the good book." He even shakes a czarist soldier's finger rather than his hand, and questions his loyal wife after 25 years of marriage on whether or not she loves him...

Norma Crane brings out a concerned mother and a devout Jewish woman...

Molly Picon shines as the garrulous Yente, the village matchmaker who fails to arrange suitable marriages for the three strong-willed daughters...

Rosalind Harris makes her plain Tzeitel somehow beautiful... She defies 'Tradition' to marry for love rather than arrangement...

Michele Marsh is Tevye's second daughter, Hodel, the decisive young girl who follows an activist against the repressive regime...

Neva Small is both radiant and pathetic as the delicate middle daughter Chava, who unbelievably chooses love over family...

Leonard Frey is Motel, the young impecunious tailor who tells Tevye that he and Tzeitel had made each other a pledge...

Paul Michael Glaser is Perchik, the radical student from Kiev with liberal ideas, who asks Tevye's blessing, not his permission...

Zvee Scooler is the beloved Rabbi who offers this prayer for the Czar: "May God keep the Tsar...far away from us!"

Nominated for eight Academy Awards, 'Fiddler of the Roof' proves to be a splendid achievement with its strongly emotional songs that grows out of the characters' feelings...

Reviewed by Spleen 10 / 10

One of the best of all musicals

The range and audacity of `Fiddler on the Roof' is stunning. By comparison today's musicals are timid, quaking things, terrified of frightening their audiences away however much `social relevance' bravado they may assume. This old musical is older than it looks. The film dates from 1971; the musical itself from 1963; but even then it was clear that it was the last of its kind, a delayed swan-song from the 1950s. There's sentiment, but no promise of a happy ending; humour, but not a trace of postmodern knowingness; realism, but and a willingness to indulge in fantasy, too. Musicals can't really survive without fantasy, and `Fiddler', along with `West Side Story', may very well mark the limit of just how serious it is possible to get without losing it. The songs are uniformly good. I don't know if Bock's music was usually so fitting, or if he happened to strike gold just once - not that it matters.

As for the film ... I only wish I'll get a chance to see it in a cinema, for the photography is beautiful - and it IS the photography that's doing it, since we're made to realise that neither the village nor its setting is picturesque in itself. Norman Jewison has assembled a cast not one member of which jars and makes the most of it. This film is quite long, and feels longer, but neither length nor apparent length is a liability.

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