Dracula Has Risen from the Grave


Drama / Fantasy / Horror / Romance

Dracula Has Risen from the Grave (1968) download yts


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Christopher Lee as Dracula
Rupert Davies as Monsignor Ernest Mueller
Veronica Carlson as Maria Mueller
720p 1080p
1.12 GB
23.976 fps
1hr 32 min
P/S Unknown
1.76 GB
23.976 fps
1hr 32 min
P/S Unknown

Movie Reviews

Reviewed by cinefool 8 / 10

the ultimate amalgamation of Hammer Film's conventions

If a quintessential example of a Hammer Studio's exercise in Gothic Horror exists, it is probably this film. Not because it is a flawless piece of film-making, far from it. Rather because this film manages to squeeze just about all of Hammer's horror-show templates into it's 92 minute running time.

Here we have the unmistakeably distinctive set design and music score by Hammer mainstays Benard Robinson and James Benard; romantic leads transposing post Summer-of-Love sexual mores (and hairstyles!) to the film's indeterminate post Victorian location; two pub locales, one peopled with wary, hostile, superstitious East-Ender types, the other rollicking with high-spirited youthful inebriates; a pious religious figure (and a much less pious one); a cameo by Michael Ripper; day-for-night location shots; attractive women in low-cut bodices and nightgowns; yet another outlandish method of using trickling blood to revive the antagonist; an eventful screenplay that doesn't measure up to critical evaluation --- whew! I could go on and on.

But please understand, I do not necessarily regard all of the above negatively, just realistically. "D.H.R.F.T.G." is a fun watch if you leave your thinking cap off. Several of the most memorable set-pieces in the Hammer canon are here; the discovery of the girl in the belfry, the attempted staking of Dracula, the Count's seduction of Veronica Carlson, and his over-the-top demise (I won't reveal it here). These scenes lingered for decades in my mind after I saw the film in the early seventies. I was joyful to find the videotape in the '90's and yes, I now happily own the DVD.

One of the harshest critics of this film, incidentally, was it's star. Christopher Lee, who entered the project enduring serious back pain (stuntman Eddie Powell handled the more strenuous action), disliked the script intensely, especially the attempted staking of the Count. His performance, however, betrays none of his vexation; this is one of his best outings as Dracula. Director Freddie Francis coaxes serviceable performances from the rest of the cast. Rupert Davies and Barbara Ewing stand out, as a noble cleric and lusty barmaid respectively.

At the end of the day, I really like this movie, despite it's shortcomings. Heck, I feel like putting on right now. So should you.

Reviewed by The_Void 7 / 10

Dracula is back!

Sporting the ultra camp title - "Dracula Has Risen From the Grave", this is a solid entry in Hammer's Dracula series. What I love about Hammer is that they aren't afraid to take an existing story and play around with it to create something new. Even if the idea behind is less than brilliant and most studios would have shied away, Hammer approach it with gusto, and the results are always good natured, easy viewing that's hard to dislike. This film follows Count Dracula as he is resurrected shortly after the priest, Ernst Muller, exorcises his castle. Dracula doesn't take this sort of behaviour lightly, and so decides to take on revenge on the holy man - by taking his niece as his bride!

Dracula is one of the greatest characters ever to be written and portrayed on screen, and it's also one that Christopher Lee has become famous for playing. Unfortunately, Christopher Lee doesn't have a great deal of screen time in this flick; but every moment he is on screen is a highlight and, as usual, he does well with the role and proves that he is the only man other than Bela Lugosi to do it right. Freddie Francis (Dr Terror, The Creeping Flesh) directs this film and succeeds in creating a morbid and fascinating atmosphere that bodes well with the subject material on hand. The film is stylishly shot, and features some of the best use of lighting ever seen in a Hammer film. The camp style that the studio is famous for is here by the bucket load too, and that can only be a good thing. This is hardly Hammer's finest hour, however; the film is relatively slow to start, and the story isn't the most inventive ever to come from the studio - but Hammer fans will enjoy it, and I would have no qualms with recommending this as a decent waste of your time.

Reviewed by Kristine 7 / 10

Dracula has risen from the grave, the snooze button was broke and he's grumpy!

The third installment in the Hammer series, we have Dracula has risen from the Grave. The title along is awesome and sends chills down your spine. A new director is in the seat, Freddie Francis. The question is, what makes a sequel good? Well, not copying the original story is a start. Giving us characters that we can care about or relate too. And giving us much more blood and scares. All three categories are in check here. Christopher Lee is back as well and from what I understand not very happy. For some reason he didn't like playing Dracula and from what I read, it was because they would write the scripts and add Dracula in later so I can understand. However, given speaking lines compared to the last sequel, his whole presence is still terrifying as ever. You try to stake Dracula? He'll just grab it and throw it right back at you. You try messing with Dracula? He'll just go after your family members…partially the pretty one's. Dracula has risen from the Grave and he's ready to take on the world.

A year after Dracula has been destroyed, a Monsignor comes to the village on a routine visit. The villagers refuse to attend Mass at church because "the shadow of his castle touches it". To bring to an end the villagers' fears, the Monsignor climbs to the Castle to exorcise it. The Priest cannot follow him up the mountain and the Monsignor continues alone. As the Monsignor exorcises the castle, attaching a large metal cross to its gate, a storm strikes, and the Priest tries to run, but falls and is knocked out, cutting his head on rock. His blood trickles into a frozen stream; through a crack in the melting ice it trickles on to the lips of the preserved body of Count Dracula and brings it to life. The Monsignor goes back to the village believing that the Priest had already safely returned, and assures the villagers that the castle is sanctified to protect them from Dracula's evil. He returns to his home city of Kleinenberg. Unknown to the Monsignor, the Priest is under the control of the resurrected Count. Furious that the cross prevents him from entering his castle, Dracula demands that the enslaved Priest says who is responsible. The Priest leads Dracula in pursuit of the Monsignor and he discovers a new victim for Dracula's revenge - the Monsignor's beautiful niece, Maria.

For the first time we see Dracula being a little more gentle with the girl, I think because Maria is so beautiful, he treats her like a doll. Almost symbolic during the intense scene where he's biting Maria, she grabs her doll and throws it off the bed like her childhood had just been ripped from her. I like the twist of having her boyfriend Paul being an atheist, after all the whole thing of destroying Dracula is to have faith. It was an interesting take on religion vs. science and what Paul has always thought to be black and white isn't so when he realizes he has to fight for the woman he loves. The only flaw I find with the film is the beginning is there is a girl found in the bell hanging, fresh wounds and all. First off, why would Dracula hang her from a bell? Secondly, is this before or after his death in Prince of Darkness? I know the girl hanging from the bell was supposed to be for a good scare, it is effective but just didn't make any sense. However I would say that this is still a very good sequel and one of the better in the Hammer series. It's a good story with a still very effective Dracula.

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