Cookie's Fortune

1999

Comedy / Drama

Cookie’s Fortune (1999) download yts

Synopsis


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Director

Cast

Glenn Close as Camille Dixon
Julianne Moore as Cora Duvall
Liv Tyler as Emma Duvall
Patricia Neal as Jewel Mae 'Cookie' Orcutt
720p 1080p
1.43 GB
1280*720
PG-13
23.976 fps
1hr 58 min
P/S Unknown
2.26 GB
1920*1080
PG-13
23.976 fps
1hr 58 min
P/S Unknown

Movie Reviews

Reviewed by gbheron 8 / 10

Holly Springs, MS - What a Great Place to Live

Robert Altman has an affinity for the South, and "Cookie's Fortune", reveals that it is gentle, pleasant and relaxed. Set in small town Mississippi there are none of the typical Hollywood stereotypes of flaming racial hatred, sexual oppression, and class bigotry. Well, not much at least. The characters in Holly Springs all know and like one another regardless of their race and social standing. Well acted by a great ensemble cast that portray an 'Altmanesque' kaleidoscope of small-town characters, most of whom are eccentrics. The plot revolves around the suicide of Cookie, a matriarch of one of the town's leading families. Since suicide is considered disgraceful, two of her nieces, upon discovering her body, cover it up to make it look like a murder. And then an innocent man becomes the prime suspect and...off we go. Ok, so it's not as 'deep' as many of Altman's films, nor as dark either. But that's not bad, and "Cookie's Fortune" is a very enjoyable movie. I recommend it highly for a Saturday night rental.

Reviewed by Sean Gallagher 10 / 10

One of Altman's best

It's hard to believe a film this sunny came from Robert Altman, and is also this good, but there you go. While I love some of his films, like M*A*S*H, MCCABE AND MRS. MILLER, NASHVILLE, THE PLAYER, and SHORT CUTS, there are times when I feel he has a fundamental contempt for his subject matter, like in THE LONG GOODBYE and POPEYE, and for his characters. But while this movie, well-written by Anne Rapp, is essentially a Tennessee Williams drama turned inside out (Glenn Close's character is the only one who seems like a refugee from Williams territory), we instead feel a great deal for each of the characters. Even Close's Camille, whose machinations end up in the temporary jailing of an innocent man for a crime that never was, is somewhat likable.

When Altman is on, we really get a sense of community and place, as opposed to movies which are just a triumph of production design, and this is no exception. The best example of this is how Lester(Ned Beatty), a deputy sheriff, sums up his reasons for why Willis(Charles S. Dutton), that innocent man referred to earlier, is innocent of killing Cookie(Patricia Neal); "I fished with him." In another movie, that line of reasoning would be ridiculous, but since you feel all of these people have known each other for years, it seems just right. And the rhythms of the town feel right as well, so you don't feel like you're just watching a filmed set.

Casting has always been a hallmark of Altman films, and this one is no different. Charles S. Dutton is as good as they say, being more restrained than usual, Close shows great comic timing in her role, and Julianne Moore is very good as her put-upon younger sister, who has a lot more to her than meets the eye. And Altman regulars like Beatty and Lyle Lovett are quite good as well. The most surprising turns came from Liv Tyler and Chris O'Donnell. I've liked Tyler before(in HEAVY, EMPIRE RECORDS, and THAT THING YOU DO!), but to imagine her with shorn hair playing a rebel who skins fish for a living was a bit much, to say the least, but she's utterly convincing. O'Donnell has always seemed too callow, but here he's quite funny as a deputy sheriff who's seen way too many cop shows. And he and Tyler have nice chemistry together.

Reviewed by jack_94706 8 / 10

An excellent film; thoroughly enjoyable, sentimental, but wise.

I'll fess up, Altman ranks high with me and has for a long time. This is far from his best work -- but also far, far above your average bear, er, rather... average film. It has much to recommend; many fine performances, a complex storyline; it will request a little patience from you -- be so kind as to grant it. Patience lies at the heart of this film; not the high-jinks and rapid-fire action of most movies. Kindness gets lost, and many deeper human qualities, too -- when people or a culture push patience out of the way. Altman seems to know this, to celebrate patient people, sensible people. But there are plenty of good jokes, visual, verbal, plot-involved. Relax and laugh, let things develop. You might even laugh pretty hard -- and happily. I suppose this film could be called Capra-esque, and thus old-fashioned, even nostalgic -- not a good fit with the tumult of violence and dishonesty which characterized the media's portrayal of the nineties. Too bad. Rent the video; or buy the video and watch it with your kids and later with the grandkids. People complain about too much violence in the cinema and then ignore a film like this -- and many of these people are critics! Here's the full panoply of human life, young, middle-aged, and elderly, all interesting, all central to the story. What a fine thing!

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