Churchill's Secret

2016

Drama

Churchill’s Secret (2016) download yts

Synopsis


Added By: Kaiac
Downloaded 112,960 times
May 5, 2016 at 9:56 AM

Cast

Matthew Macfadyen as Randolph Churchill
Michael Gambon as Winston Churchill
Rachael Stirling as Sarah Churchill
Romola Garai as Millie Appleyard
720p 1080p
737.15 MB
1280*720
25 fps
1hr 40 min
P/S Unknown
1.53 GB
1920*1080
25 fps
1hr 40 min
P/S Unknown

Movie Reviews

Reviewed by Tim Dean 9 / 10

A superb production and deeply moving

I cannot understand how few reviewers here are complimentary. Michael Gambon delivers a magnificent performance, true to what we know of Churchill's personality and complex nature. It doesn't matter to me that the actor doesn't look very much like the great man - he PRESENTS a great man in a health crisis to perfection. LIndsay Duncan is 'Clemmie' exactly as I remember her from the public image of the time. The way her hair is done is exquisitely correct. I was eleven and I remember the drama of Churchill's illness from the newspapers. I remember, as a boy, noting that Churchill's personal doctor was a certain Lord Moran who came and went initially at the famous front door of Number 10. We all knew that Chartwell was the Churchill country seat (not his 'ancestral home' which, as we know, was Blenheim Palace where he was born.) It was wonderful that the filming took place at Chartwell. We also knew that Churchill's children were difficult, particularly the boorish Randolph, and that Sir Winston was probably to blame for having neglected them through his undoubted self-absorption. Romola Garai, as always, creates a memorable personality with her entirely believable ace nurse. The casting is superb, the settings perfect and the art direction highly sensitive. And the cars! How I loved the shiny cars of my childhood. There's a pristine, bulbous Austin that I remember admiring as a boy. Delicious visual details are abundant in the film. There were many moments when I was surprised by my own tears, notably when Lady Churchill, having warmed sufficiently to the newly-met young nurse, poured out the story of the child she and Winston had lost; to this wise, down-to-earth, delightful young woman.

These were probably the last days of the "right to rule" self-image of the Tory Party. For England's powerful middle classes it was still normal to think of a Labour Government as a temporary aberration. The moment I saw the book that Winston inscribed to his nurse I recalled that not even the first volume of "A History of the English-Speaking Peoples" had yet been published. But it didn't matter in the slightest. It was not a gaffe. It was an inspired and moving moment in the plan of this outstanding film. The acting skills on display in 'Churchill's Secret' are - I submit - breathtaking. Why do we take for granted the artistry of our wonderful British actors? We need to show them our love with the compliments they deserve.

Reviewed by yakster1 7 / 10

Unknown Episode In a Great Man's Life

You would think by this time we would know everything there is to know about Churchill and then this comes along. As a huge admirer of Sir Winston I managed to see this on ITV in Canada, not as easy as one might assume even in this day and age. The acting is top notch with every character and having seen many stoke victims, Michael Gambon nails the speech and movement impediments that come as a result. There have been a few complaints of adding the fictional character of nurse Millie Appleyard but I have a copy of Lord Moran's diaries and in referring to them after viewing this he makes many references to several nurses during this period but never by name. She is just a composite character in order to establish some continuity, something that has been in movies since forever. Having stood in his study in Chartwell, filming it there just added another air of authenticity. This would be a welcome addition to a decent trilogy along with The Gathering Storm and Into the Storm.

Reviewed by l_rawjalaurence 5 / 10

Historically Unconvincing Costume Picture

Set in 1953, Charles Sturridge's drama concentrates on one of the major political secrets of the Fifties - the stroke experienced by Prime Minister Winston Churchill (Michael Gambon), the news of which was kept from the public sphere through the machinations of his private secretary Jock Colville (Patrick Kennedy) and the powerful media barons led by Max Aitken, aka Lord Beaverbrook (Matthew Marsh).

There is a good story to tell here about politics, and the concept of releasing information on a "need to know" basis, something beloved of Sir Humphrey Appleby and his fellow civil servants in YES MINISTER. Concepts of "truth" and the public interest really do not matter; so long as the wheels of government keep running in the way they have always done, then everyone is happy. It was one of the lessons of this incident that the Conservatives and their civil servants realized that they could govern without Churchill, or his deputy Sir Anthony Eden (Alex Jennings).

Unfortunately this production misses just about every opportunity to reflect on past history. Instead Sturridge transforms it into a soupy family melodrama with echoes of THE KING'S SPEECH. Gambon makes a fair stab at Churchill, even though he looks nothing like the Old Man; but Lindsay Duncan, as Clemmie, looks to be impersonating Vanessa Redgrave (who memorably played the same role in THE GATHERING STORM (2002)) rather than developing a performance of her own. Although she protests a lot about her love for Winston, she seems more preoccupied with keeping her errant offspring under control, led by Randolph (Matthew Macfadyen) and Diana (Tara Fitzgerald). None of them, it seems, are very happy with their lives, and take every opportunity to voice their discontents. In the end we feel rather sorry for the old boy, not just because of his desire to continue in power, but because he has to contend with such an appalling family.

Stewart Harcourt's script doesn't really know whether to sympathize with Churchill or to criticize him for his self-absorption. Great man he might have been; but he seems to have been neglectful of his family. In the end Harcourt abandons this issue and opts instead for the traditional happy ending where Churchill makes a great recovery from his illness and gives a speech to the party conference in Margate.

The script is full of anachronisms; and although Sturridge makes strenuous efforts to hold our interest by using heritage film conventions such as cutaway shots of old vehicles, interior scenes with orange lights focusing on the characters' faces, and exteriors of Chartwell (where much of the production as filmed), the drama as a whole fails to come to life.

If viewers want to find out more about Churchill's life from recent films, they would be better advised to dig out THE GATHERING STORM (2002) and its sequel INTO THE STORM (2009).

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