Chinatown

1974

Action / Crime / Drama / Mystery / Thriller

Chinatown (1974) download yts

240

Rotten Tomatoes Critics - Certified Fresh 98%
Rotten Tomatoes Audience - Upright 93%
IMDb Rating 8.2 10 214831  

Synopsis


Added By: Kaiac
Downloaded 31,491 times
July 16, 2016 at 2:11 PM

Director

Cast

Jack Nicholson as J.J. Gittes
Roman Polanski as Man with Knife
Jack Nicholson as J.J. Gittes
Roman Polanski as Man with Knife
720p
752.30 MB
1280*720
R
23.976 fps
2hr 10 min
P/S Unknown

Movie Reviews

Reviewed by MisterWhiplash 10 / 10

Yes, this really is the best movie ever...

Chinatown is a tremendous collaborative effort that produced one of the most memorable Hollywood pictures of the 1970's. Director Roman Polanski (his last film in America, and the first he made in America after the murder of Sharon Tate), stars Jack Nicholson & Faye Dunaway, and writer Robert Towne, all come together to create a detective story classic. At times it slows its pace down so the viewer can think along with Nicholson's character, to take in the environment as well as the situation he's in (i.e. when he goes to the empty reservoir, when he visits Noah Crosses house the first time). And the script has the perfect sense of drawing us into a story, fueled by curiosity, grit, and cynicism, and engages the viewer by its realistic dialog between the characters.

J.J. Gittes (Nicholson, in one of his best 70's performances) is in Los Angeles circa 1933 in the line of private investigator, usually dealing with people who may or may not believe that their significant other is having an affair. Evelyn Mulwray feels this may be the case with her husband Hollis, and Gittes decides to take the case. However, this draws him into a deeper case involving the city's loss of water once Hollis- a major player in the water supply controversy in the city- is found murdered. This eventually leads him to Noah Cross (John Huston), a big businessman and who also happens to be Evelyn's father. Intrigue starts to develop, as Jake's own life begins to be at risk.

As a intricate, detailed detective story the film is an above-average work, with Towne's script containing the maturity, and wicked sense of humor, of a James M. Cain or Raymond Chandler novel. When the thrills come they come as being striking. And when humanity and compassion get thrown into the mix, the film reaches a whole other plane of intelligence. The last third of the film could turn off some of the audience (depending on one's own level of belief), but it holds strong thanks to the performances. Nicholson doesn't over-step his bounds in any scene, finding the right notes in suggestive conversations. Dunaway is better than expected (though I'm not sure if it's an great performance). And Huston's Noah Cross is one of the more disturbing villains of that period in movies. Add to it some good cameos (Burt Young as a driver, Polanski playing the little guy in the infamous 'knife' scene), and a smooth soundtrack by Jerry Goldsmith, Chinatown comes out as strong piece of movie-making, and arguably one of the greatest in the crime/mystery genre.

Reviewed by diagonals80 10 / 10

noir.

Polanksi's 'Chinatown' stands as one of the classics of 1970s American cinema, the last classic period in American cinema. It's a great reminder of how utterly engaging cinema can be without the special effects, flimsy plots and outrageous stunts of many major studio productions now, not evening mentioning the obvious marketing tie-ins.

The cinematography and screenplay could be considered almost economical in its minimalism as it is really the story, script and characters that drive this movie forward.

Chinatown tells the story a detective, confidently played by Jack Nicholson, who gets embroiled in an investigation involving the mysterious murder (suicide?) of the head of the Water Board. During the investigation, he gets involved with Evelyn Mulwray, the wife of the murdered man who appears to want to get to the bottom of the mystery but during the course of the movie demonstrates that she is not telling the whole story and has something to hide.

Everything in this movie works from already mentioned tight editing down to the costumes and sets.

Nuff said!

10/10

Reviewed by Robert J. Maxwell 10 / 10

Marvelous

There is a word, impossible to spell, that describes the alignment of solar bodies like the planets when they all fall into place together. A similar word would describe this film. Everything about it is right. Polanski never directed a better movie. The performers, down to the lowest atmosphere person, are superb. The editing, the score, the sound, the decor, the dialog, all are just about flawless. The photography is peerless. The white garden apartments, the terra cotta roof tiles, the palms and desert sand are all painted with a faint gold, faintly ripe with false promise, like the oranges that bounce from Gittes' desperately speeding car in the northwest Valley.

Polanski deserves much of the credit. When Gittes surprises Evelyn Mulwray in her car, after he follows her to her daughter's house, her face slumps forward and beeps the horn briefly. Then, so faintly, we hear a few dogs bark in the background. Not only is the scene itself exquisitely done but it prefigures the ending, as does Gittes' remark earlier to Evelyn that she has a flaw in her iris. The movie is too good to deserve much dissecting. It stands repeated watching. If there is anything wrong with it, it is the serious and tragic ending that Polanski always insists on tacking on. Robert Towne was right and Polanski wrong in this case. Everything came together on this film. It's not only the best detective movie ever made; it's one of the best movies ever made -- period. A marvelous job by everyone concerned.

I have to add (6/27/05) that the word I mentioned in the first sentence is spelled "syzygy." Man, did I get enlightening email on that. I might as well add two other impressive features of this movie. (1) Polanksi takes his time. Example: Gittes sneaks into Hollis Mulwray's office and begins to go through the drawers of his old-fashioned wooden desk. As he slides each drawer out, Polanksi gives us a shot of their humdrum contents (checkbooks, magnifying glass, and so forth) and we can almost smell the heat and the odor of shellac and sawdust emanating from the wooden containers. The contents reveal nothing of importance in this case. But (2) sometimes irrelevant information crops up that resonates later in the film with its own echo. The detail might be just a word ("applecore") or an ordinary object (a pair of spectacles found in a pond, immediately after Gittes imitates the Japanese gardener's remark that the water is bad for the "glass.") Some of the references may be so consistent as to constitute a theme (water). None of this hits you over the head with its significance. It's all very neatly stitched together.

Read more IMDb reviews

0 Comments

Be the first to leave a comment