Born to Be Blue


Biography / Drama / Music

Born to Be Blue (2015) download yts


Added By: Kaiac
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July 24, 2016 at 1:38 PM



Ethan Hawke as Chet Baker
Carmen Ejogo as Jane / Elaine
Katie Boland as Sarah
720p 1080p
707.07 MB
23.976 fps
1hr 37 min
P/S Unknown
1.47 GB
23.976 fps
1hr 37 min
P/S Unknown

Movie Reviews

Reviewed by David Ferguson 6 / 10

West Coast Swing

Greetings again from the darkness. Most biopics aim for historical accuracy with only the occasional stretching of facts for dramatic effect. Within the past couple of weeks, I've seen two that take a much different approach … fictionalized versions of jazz icons – legendary trumpeters Miles Davis (Miles Ahead) and Chet Baker. Writer/director Robert Budreau expands on his 2009 short film to deliver a feature length look at the talented and troubled Baker … with a huge assist from Ethan Hawke.

The film begins in 1966 with Baker locked up in an Italian jail cell. Bailed out by a filmmaker who wants Baker to star in his own life story, a flash back to 1954 allows us to see Baker at his musical peak. As he heads into a gig, he asks an autograph seeker "Who do you like best, me or Miles Davis?" The question could be arrogance when asked by another artist, but it's our first insight into the insecurity that Baker struggled with his entire life. His desire to be liked sometimes conflicted with his goal to be great. But like the story of so many musical geniuses, it was the drug abuse that continually sabotaged the talent.

Carmen Ejogo (Coretta Scott King in Selma) plays Jane, a fictionalized blend of Baker's lovers through the years. The two of them are good together, though she is as much a caretaker as a lover … keeping him on track and nursing him through the (many) tough times. Baker received a savage beating that cost him his front teeth and ability to play the trumpet for years. The movie presents the beating as drug-related, but history is unclear on the matter. Still, it's painful and brutal to watch Baker bleed for his art.

Baker is credited as the inspiration of West Coast Swing, though it's quite challenging to relate to yet another junkie musician – no matter how talented. He's just not a very interesting guy as presented here. Talented, yes … but not very interesting. Additionally, none of Baker's music is actually heard. It's been reimagined, just like his life story.

Despite the issues, Ethan Hawke delivers what may be the best work of his career. He is tremendous and believable as both the talented jazz artist and the insecure drug addict. Director Budreau creates a dream-like atmosphere at times, which adds to the "is it real" style. The 1988 Oscar nominated documentary "Let's Get Lost" is probably a better source for Baker's life story, but Budreau's take does capture the man's struggles.

Reviewed by MisterWhiplash 10 / 10

even Miles would applaud for this movie!

I wouldn't go as far as to say that Ethan Hawke was "born" to play Chet Baker (no pun intended to the title), but this is the kind of performance that tends to be talked about for years to come. There's no front put up between him and the audience, and despite the vocal change to be a little more hoarse or whispery or however it was that Baker was naturally from his Oklahoma-cum-cigarette-strewn roots, it feels as if Hawke has slipped into Baker's shoes from the outset and that he just IS him. And though it's mostly set in the time period where Baker bottomed out the hardest - getting his teeth knocked out by a dealer while shooting a movie featuring himself as his own character in the 'Chet Baker Story - with those scenes from the movie in the movie (whether they were filmed or just imagined by Baker from the script written for him) Hawke gets to play multiple time periods and not in a typical bio-pic format.

As an actor he gets to have such a complex, vulnerable person to slip into, and at first I wasn't sure how he would do. I think Hawke's a terrific actor, though a lot of the time it seems as if it's just Hawke as... Ethan Hawke on screen, with some exceptions (like Gattaca), and even in the 'Before' films it seems just like it's this cool guy getting in front of the camera. It seems like a lot to keep harping on the lead performance like it means everything but in this case it kind of does - there's no Giamatti or Elizabeth Banks like in last year's Love & Mercy, and also the filmmaker behind this, Robert Budreau, is not making filming it quite like the standard bio-pic: long takes where the actor (also co-star Carmen Ejogo for most of it) has to keep our attention while playing a famous musician who was not someone with a presence off-stage that was immediately compelling.

There's a lot to dig in to here thematically, whether it's drugs or race (Baker being the 'white boy' among the black giants like Miles Davis and Dizzy Gillespie, the former doesn't take too kindly to Baker in the 50's prime by the way), but while watching the movie you don't need to think about that. It's simply about this man who has his own way of going about things, is gentle in his way, and yet there's an intensity, bordering on a rage, that makes him compelling. Is it about addiction as much as the Eastwood Charlie Parker movie (Bird)? Yes and no - yes in that it's always there, as it is for all addicts, and when a scene like after he plays a show at the local bar (where he's trying to rebuild his trumpet playing skills) and a 'fan' slips him some dope (to which he responds "I thought you were a nice girl"), it seems hard not to sort of feel sorry for Baker that he's in a world where it's almost expected, in a way, for the Jazz heroes to be stone-cold junkies.

But no in that it's primarily a love story, which is where the chemistry between Hawke and Ejogo is especially crucial and, in this case, kind of strange and awesome in the approach. Many times you simply see a famous musician or actor or whoever in a movie meet a girl and fall in love and they have the ups and downs (Ray and Walk the Line are little else if not that), but here the twist is that Baker meets his love interest as she is playing his *former* lover in the movie-that-didn't-finish in the 1950's. It's a meta touch, but it's not to the point where the director takes us out of the film to any annoying degree; it's cleverly done in the opening 10/15 minutes where we think, the audience trained on clichés of biopics, that we're seeing a black-and-white flashback of this jazz-man's story of playing in Birdland and doing such things as the "first time" on heroin with some local girl.

The trick is that Baker is always Baker, whether it's in the 'real life' of the movie or the movie within the movie, it's all a movie, after all! It helps that the music is wonderful, and that's not something that is incidental; I have no idea if Hawke is playing the trumpet (he likely isn't, a handful of actors play their own stuff, let alone well, in these movies), but he does have to sing, and it's remarkable work on songs that require a thin line to walk on. Baker wasn't that phenomenal a singer except in the aspect of ripping-off-skin-to-see-the-insides honesty. It hurts to see Baker sing, and to see Hawke sing as him, and all the more that they're tender love songs. It doesn't necessarily come right away either, as the first passion for this man was the trumpet. Whether he comes to it by himself is something the movie leaves out (though I could surmise it was organic), but the point is that by the time the last third comes we've seen this man live a real life, which is all that Miles Davis asked for anyway.

A sincere, heart-breaking and simultaneously uplifting movie that is just a drama about a man working his art (among the giants always in his mind or in front of him), and a true-life story second. That it involves one of the coolest of his form is a bonus, and with an actor delivering a career-highlight work as well.

Reviewed by meeza 10 / 10

This Baker Act was perfect!

Holy Chet! The Chet Baker biopic "Born to Be Blue" was a whopper of a film. Its suave style is reminiscent of another Baker jazzy film, which is the classic "The Fabulous Baker Boys". Chet Baker was a renowned trumpeter and jazz legend who had a near lifelong addiction to heroin. "Born to Be Blue" focuses on Baker in his 40's. His career has gone down the tubes, he gets brutally beaten by some drug dealers, and he cannot play his trumpet due to his injuries to his mouth. Baker then meets a beautiful aspiring actress named Jane who plays as an inspiration for Chet to get sober and make a jazzy comeback. Writer-Director Robert Budreau plays all the right tones in his direction and screenplay of the picture. Steve Cosens' cinematography was a picturesque mastery that should get him many encores to work in other movies. Ethan Hawke does not blow it at all as Baker; in fact, his Baker Act is the best performance of his illustrious career. His work as Baker is born to be an Oscar. Carmen Ejogo was sweet music to my ears in her performance as both Jane and Baker's ex-wife Elaine who was shown in flashbacks. Callum Keith Rennie manages to do some fine work as Baker's longtime manager Dick. The music of "Born to Be Blue" was a grand piece of Chet. I have no doubt that this movie will be in my Top 10 or even 5 of my favorite films of 2016. I was absolutely enamored with this stupendous movie! True "Born to Be Blue", baby I love you! ***** Excellent

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