Amadeus

1984

Biography / Drama / History / Music

Amadeus (1984) download yts

235

Rotten Tomatoes Critics - Certified Fresh 95%
Rotten Tomatoes Audience - Upright 95%
IMDb Rating 8.3 10 268883  

Synopsis


Added By: Kaiac
Downloaded 66,623 times
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Director

Cast

Kenny Baker as Parody Commendatore
F. Murray Abraham as Antonio Salieri
Jeffrey Jones as Emperor Joseph II
720p
1.10 GB
1280*720
PG
23.976 fps
2hr 40 min
P/S Unknown

Movie Reviews

Reviewed by johndoherty 10 / 10

One of the greatest films of all time.

One of the greatest movies of all time. This is a movie that speaks for itself. Beautiful Cinematography and stellar performances by all especially F. Murray Abraham who carries the film. Tom Hulce was a terrific choice for this movie. True this is historically incorrect but it doesn't matter this film works on so many different levels... the music ahhh the music. Mozart is pure genius and his music touches this film and everyone involved. You can just sense that Mozart's inspiration drove everyone on this film to perfection. A must see film for all!

Reviewed by DRIAINCLARK 5 / 10

Ravishing in sound and vision


The unseen star of this film is the Academy of St Martin's in the Field, London. Buy the soundtrack and you will be rewarded with some of the most stunning music you can hear. Mozart's music excells with brilliant treatment and dies with a bad performance. And that, after all, is what the film is about. Without his music, Mozart would be lost in time, a fate that the narrator of the story, the composer Salieri, saw as his own. Ironically, while Salieri has indeed been completely overshadowed by Mozart, his music still survives and has its followers.

But beyond the music this is an outstanding film. Set in the prettiest and most flamboyant century of the last millennium, it is visually stunning and the writer's portrayal of jealousy is perceptive. The casting of the Austrian King and courtiers, (indeed all the actors in this film) that Mozart needed to impress capture the gentility and courtesy of the time, and also subtly shows their growing indignation and impatience at Mozart's personality and behaviour; the presentation of Mozart as punk musician is probably the only failing in the film. As a theatrical device to show that genius can come in disastrous packages it succeeds well, but anyone with any historic sense of social ettiquette or manners will know that Mozart's sill y
behaviour would be well wide of the truth, as might, perhaps, be the concept of Salieri as murderer-in-chief. Only in the final scenes is Mozart's brilliance as a composer truly explored in what amounts to a deconstruction of his final composition - his moving, uncompleted and poignant Requiem mass.

Another unintended star in this film are the candle lit sets and theatres of the 18th Century; their operas and drama ooze a magic that is lacking in the present world and which modern producers might well try to reintroduce; so lovely are these buildings with their flickering lights and theatrical techniques that one is left desperate to to seek out these rare theatres to experience them.

This film leaves one breathless from its visual beauty, its magnificent score and the choreography, indeed, of the two together. Mozart's life had the air of tragedy, and his undoubted genius speaks to us now and forever. This film is a monument to the skills of the writer, maker, performers and, of course, Mozart's music. If you have not yet done so, see it.

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