8 Mile

2002

Drama / Music

8 Mile (2002) download yts

134

Rotten Tomatoes Critics - Certified Fresh 76%
Rotten Tomatoes Audience - Spilled 54%
IMDb Rating 7 10 185160  

Synopsis


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Director

Cast

Michael Shannon as Greg Buehl
Anthony Mackie as Papa Doc
Taryn Manning as Janeane
720p
597.23 MB
1280*720
R
23.976 fps
1hr 50 min
P/S Unknown

Movie Reviews

Reviewed by Tyson Redmond 7 / 10

Powerful silences

8 Mile tells the story of a white kid on the wrong side of the tracks living in Detroit with a dead end job and a trailer park mom. Deep inside, he aspires to break free from the chains of the reality of his life through the poetry and passion and rawness of rap; the one place he can possibly gain a feeling of purpose and hear his own voice. Obviously, it's no big secret that this storyline runs very parallel to that of of Eminem's own roots and his own aspirations. Where fiction and reality collide is blurred and that works for the picture. First off, I think Curtis Hanson did a great job rebuilding that world and protecting his novice lead. He understood the material and I was drawn in to the world that he recreated. Also, the cinematography widely lends itself towards upping the ante of the picture and making you feel the authenticity of a world and a place where many of us have never traveled nor never will. As for Eminem himself, at first I found him a little stoic, but given the fact that this guy has never acted before, regardless of how 'autobiographical' the material may be, I thought he did a decent job in front of the camera. Hanson was wise to protect his lead with awesome supporting work from Mekhi Phifer and pretty much everyone else that portrays his friends and peers in the film. Eminem obviously was a little green and surrounding him with these actors gave the movie and Eminem's journey more credence. Brittany Murphy was also very good, but I found her character to be a bit expedient. She definitely was not used to her full potential and I felt that if they had used her relationship with Rabbit to a larger or deeper extent, it only would have lent more to the film. One of the scenes I was most impressed with was the sex scene between Murphy and Eminem. Gone were the Hollywood antics of glossing it up or ghetto fabulous and I felt that Hanson captured something that was fascinating, uncomfortable and realistic that I haven't seen in a Hollywood film before.

Now for what I feel made this movie not rise to the top... First off, when Kim Basinger first came on the screen and opened her mouth, I thought the rest of the film was going to be destined for failure. Not only was she weak in the role, she was grossly miscast. There are so many actresses in that age range that I find it mind boggling that Basinger was used for something in which she stood out like a fish out of water. The film also almost lost me in the beginning due to the length of the first scene in the bathroom when Eminem is psyching himself up. The placement of the scene wasn't a problem but it went on way too long - I would have prepared an edited down version. If you're watching Robert DeNiro for that long looking in a mirror, yes, it'll probably work, but to put that type of pressure on a first timer with no training, especially since it's shortly followed by Basinger's first scene was a risky move and one that I think they could have found a better choice for. The other thing that kept this film from being a totally strong film for me was the screenplay itself. I kept finding myself asking why the hell Scott Silver had some of these extraneous scenes in the story. There was a good story to be told here and a whole world to be explored by the general public that doesn't know that much of it, and the script and film could have and should have been a good 25 minutes shorter and tighter.

Anyway, still an intriguing film. And interesting insight into a different side of life and I commend Eminem for taking the risk. It's a lot to bite off and half the country is just dying for a chance to decimate him. If for nothing else, this film is worth the last 5 minutes. When he was up there battling, I actually started clapping and cheering out loud in the theater - no matter where he stands as an actor, when he's in his domain, he is fantastic, whether you like what he's saying or not.

A 7 out of 10 for a movie that was actually worth spending a budget on. Not perfect, but definitely it's own thing with some good moments. And when they're good, they're really good.

Reviewed by PeteBDawg 8 / 10

A Quality Piece of Hard-Hitting Naturalism


8 Mile probably isn't what you expect. Given the cast and premise, you probably expect one of two things, either a silly excuse for self-aggrandizement or an overblown caricature of hip-hop culture. You don't get either. What you get is a brave film that is surprisingly culturally and intellectually rigorous and an aggressive film that is so emotionally intense that it seems to sometimes tear itself apart.

The plot is not a biography of Martial Mathers, a.k.a. Eminem, but it is very much informed and guided by the experiences of his early career as a rapper in blue-collar and no-collar Detroit. Eminem gives a compelled, powerful performance that diverges just enough from his public self to inject the story with a strong sense of realism without sacrificing anything artistically. The supporting cast also makes fine use of their considerable talents, carving the Detroit of this film out of the world itself, not out of fiction. Even as they help communicate a hard, unforgiving time and place, they also give rise to deep and profound sympathies that don't come around in every film.

The naturalistic presentation doesn't stop there; most of the film is shot on location in Detroit, and the gritty, sometimes almost frenzied design and cinematography firmly establish that this is not just another Hollywood movie. This is a movie that goes places movies don't generally go where, for good or for ill, many people do live every day. For one, 8 Mile might have the most believable, most powerful representation of an automobile factory of any film in the last twenty years, and it still manages to use the location for sophisticated, plot driving drama. Good stuff.

Of course, the film has its flaws. It's very heavy and bleak, at times it skirts the boundary of cliche a little bit, and the villains, a rival rap group known as the "Free World," are a little over the top, but, time and again, the solid acting and daunting camerawork keep coming back to seize the eye and command attention.

Oh, and, in case you were wondering, there is rapping, and plenty of it. The rapping is really top-quality, cutting edge stuff, for the most part, and it is integrated into the script so well that it is always clear that the characters choose to rap, not that the script forces them to do so. The rapping happens because it must happen to these characters at this time, not because Eminem is a rapper. In an industry where pop music movies are a dime a dozen, this is particularly impressive. This film says something about rap and the human experience that hasn't been articulated this well many times before; it bridges the gap between rap and poetry in a big way, and makes that gap look a lot smaller.

All in all, the thing that really defines 8 Mile is how committed to this idea the cast and crew must have been in order to make this film. Every minute and every second, the cast's intensity never gives up, and the camera never sleeps. The film is detailed, finely crafted, and has a pounding heart the size of a boxcar. If you don't mind the obscenity and violence (and there is a bunch), I'd definitely say this is a movie worth seeing.

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